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Women Professionals in 1930s’ Film: Westerns in the Context of the Progressive Age and the New Deal Gender Politics

  • Mark E. Wildermuth
Chapter

Abstract

This chapter shows how certain pro-feminist Westerns of the 1930s resist the sexist reaction against first-wave feminism by representing female protagonists who revive gender ideology inherited from the earlier Progressive era.

Works Cited

  1. Annie Oakley. Dir. George Stevens. RKO Radio Pictures, Inc., 1935. Warner Home Video, 2007. DVD.Google Scholar
  2. Cimarron. Dir. Wesley Ruggles. RKO, 1931. Warner Home Video, 2006. DVD.Google Scholar
  3. Destry Rides Again. Dir. George Marshall. 1939. Universal Studios Home Entertainment, 2003. DVD.Google Scholar
  4. Frankel, Noralee, and Nancy Schrom Dye. Gender, Class, Race, and Reform in the Progressive Era. Lexington, KY: University of Kentucky, 1991. Print.Google Scholar
  5. Hapke, Laura. Daughters of the Great Depression: Women, Work, and Fiction in the American 1930s. Athens: University of Georgia Press, 1965. Print.Google Scholar
  6. Melosh, Barbara. Engendering Culture: Manhood and Womanhood in New Deal Public Art and Theater. Washington, DC: Smithsonian Institution, 1991. Print.Google Scholar
  7. Muncy, Robyn. Creating a Female Dominion in American Reform, 1890–1935. New York: Oxford University Press, 1991. Print.Google Scholar
  8. The Plainsman. Dir. Cecil B. DeMille. 1936. Universal Studios Home Entertainment, 2004. DVD.Google Scholar
  9. Stagecoach. Dir. John Ford. 1939. Criterion, 2010. DVD.Google Scholar
  10. The Squaw Man. Dir. Cecil B. DeMille. 1931. Warner Archive, 2006. DVD.Google Scholar
  11. Union Pacific. Dir. Cecil B. DeMille. 1939. Universal, 2014. DVD.Google Scholar

Copyright information

© The Author(s) 2018

Authors and Affiliations

  1. 1.Department of Literature and LanguagesUniversity of Texas of the Permian BasinOdessaUSA

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