Skip to main content

Affecting Campus Climate: Fine and Performing-Arts Community Outcomes

  • Chapter
  • First Online:
  • 330 Accesses

Part of the book series: The Arts in Higher Education ((AHE))

Abstract

Scott and Siegel discuss the relationship between collaborative community–campus projects and positive campus climate change. Wagner College has promoted change in both local communities and their campus by developing project-based learning activities stemming from community-identified needs. Two case studies highlight positive change in campus climate. One study is based on a visual arts “learning community” mural project; through this project participants learned how civic professionalism, visual art, and diversity contribute to building strong communities. The second study is based on a community theater workshop where participants learned about histories, theories, and ethics of community-based/grassroots theater and used this knowledge in creating performances. Both projects resulted in tangible products (murals and performance art) as well as community climate change.

This is a preview of subscription content, log in via an institution.

Buying options

eBook
USD   19.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   27.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Notes

  1. 1.

    The National Task Force on Civic Learning and Democratic Engagement, A Crucible Moment: College Learning and Democracy’s Future (Washington DC: Association of American Colleges and Universities, 2012).

  2. 2.

    Sarah Donovan, Lily McNair, and Samantha Siegel , “Work That Matters: Preparing Future Leaders from Vulnerable Communities,” forthcoming.

  3. 3.

    William M. Sullivan, The Power of Integrated Learning (Stylus Publishing, 2016).

  4. 4.

    Rita Axelrod Hodges and Steve Dubb, The Road Half Traveled: University Engagement at a Crossroads (East Lansing, MI: Michigan State University Press, 2012). Anchor institutions can provide urban communities with a multitude of necessities and amenities that make life attractive and engaging, often serving as “engines of urban renaissance.” Eugénie L. Birch et al., Arts and Culture Institutions as Urban Anchors; Livingston Case Studies in Urban Development (Philadelphia, PA: Penn Institute for Urban Research University of Pennsylvania, 2014). Eduardo J. Padrón, “Miami Dade College and the Engaging Power of the Arts,” Journal of Higher Education Outreach and Engagement 17, no. 3 (January 1, 2013): 69–84.

  5. 5.

    Steve Dubb and Ted Howard, Linking Colleges to Communities: Engaging the University for Community Development (College Park, MD: The Democracy Collaborative at the University of Maryland, 2007).

  6. 6.

    David J. Maurrasse “The Wagner College Port Richmond Partnership” (New York: Marga Incorporated, 2013). At the time of the Marga survey members of the education subcommittee identified the creation of a High School Leadership Academy that supported the growth of students’ leadership, emotional, and scholastic improvement as the ultimate goal. Presently, the Port Richmond Partnership Leadership Academy is perhaps Wagner’s best example of true civic engagement and community impact. To date the program has raised nearly $1.3 million and involves 6 faculty members, 7 Wagner administrators, 9 student interns, an advisory group of 12 community members, 2 Port Richmond High School teachers, 3 Port Richmond High School guidance counselors, major donors, and private foundations. The program is the result of years of collaborations and serves as the example of what is possible when resources are aligned in a mutually beneficial and thoughtful way.

  7. 7.

    Donna J. Cherry and Jon Shefner, “Addressing Barriers to University-Community Collaboration: Organizing by the Experts or Organizing the Experts?” Journal of Community Practice 12, no. 3/4 (2004): 219–233.

  8. 8.

    Cynthia Koch, “Making Value Visible: Excellence in Campus-Community Partnerships in the Arts, Humanities, and Design,” Imagining America, 2005.

  9. 9.

    Jeannette Kindred and Claudia Petrescu, “Expectations Versus Reality in a University-Community Partnership: A Case Study,” Voluntas: International Journal of Voluntary & Nonprofit Organizations 26, no. 3 (June 2015): 823–845.

  10. 10.

    The Learning Community Model is composed of three course suites (First-Year, Intermediate, and Senior) and was developed to work specifically in league with Wagner’s mission emphasizing scholarship, achievement, leadership, and citizenship anchored in the liberal arts.

  11. 11.

    Other examples of civic engagement include the Bonner Leaders Program, a national college access program that provides students with the financial opportunity, theoretical framework, and field experience to work in their local communities for 300 hours a year (above and beyond anything required by their academic programs) in exchange for a small scholarship. Presently, 58 students have made a four-year commitment to serve as a Wagner Bonner Leader, meaning that each year the Bonner program alone places highly trained students in community organizations for a minimum of 17,400 hours of community work totally funded by the college.

    Bonner placements are strategic in nature; students are aligned with lead partners of the Port Richmond Partnership, often playing the role of capacity builder in organizations that Wagner Professors are working with as well. In April 2016 Wagner hosted a summit at which leaders of community organizations and Wagner faculty and administrators exchanged ideas on how the partnership was working, and made plans for moving ahead with new projects. The summit participants focused specifically on what the local needs were, and worked to create projects that will assist with them.

  12. 12.

    Michael Birchall, “Socially Engaged Art in the 1990s and Beyond,” Oncurating.org 25 (2015).

  13. 13.

    Paul DiMaggio and María Patricia Fernández-Kelly, Art in the Lives of Immigrant Communities in the United States, The Public Life of the Arts (New Brunswick, N.J.: Rutgers University Press, 2010).

  14. 14.

    Judith Baca, “La Memoria de Nuestra Tierra: Sites of Public Memory,” Foreseeable Futures 8 (2015).

  15. 15.

    Janet Marstine, New Museum Theory and Practice: An Introduction (Malden, Mass.: Blackwell, 2006); Andrew McClellan, Art and Its Publics: Museum Studies at the Millennium, New Interventions in Art History (Malden, Mass.: Blackwell, 2003).

  16. 16.

    Carol Argiro, “Teaching With Public Art,” Art Education 57, no. 4 (July 2004): 25–32. Art as a tool for education has been specifically useful in addressing questions of diversity and community development where such topics have been problematic in other contexts. Maria Lim, Eunjung Chang, and Borim Song, “Three Initiatives for Community-Based Art Education Practices,” Art Education 66, no. 4 (July 1, 2013): 7–13.

  17. 17.

    Argiro.

  18. 18.

    Deanna Grant-Smith and Tony Matthews, “Cork as Canvas: Exploring Intersections of Citizenship and Collective Memory in the Shandon Big Wash Up Murals,” Community Development Journal 50, no. 1 (January 2015): 138–152.

  19. 19.

    Katie Carlisle, “Arts Education Partnerships: Informing Policy through the Development of Culture and Creativity within a Collaborative Project Approach,” Arts Education Policy Review 112, no. 3 (June 2011): 144–148.

  20. 20.

    Sharon Verner Chappell and Drew Chappell, “Building Social Inclusion through Critical Arts-Based Pedagogies in University Classroom Communities,” International Journal of Inclusive Education 20, no. 3 (March 2016): 292–308.

  21. 21.

    Theodore M. Dillaway, “Co-Operation of the Public School System with the Pennsylvania Museum of Art, ”Bulletin of the Pennsylvania Museum 27, no. 143 (1931): 15–20.

  22. 22.

    Amanda Gluibizzi, “‘Artist as Activist’: Promoting Collections, Outreach and Community Learning,” Art Libraries Journal 34, no. 2 (April 2009): 31–34.

  23. 23.

    Carlisle, “Arts Education Partnerships.”

  24. 24.

    Sheng Kuan Chung and Christy Ortiz, “Art Education in Action on the Street,” Art Education 64, no. 3 (May 1, 2011): 46–52.

  25. 25.

    Sharon Shaffer, “Opening the Doors: Engaging Young Children in the Art Museum,” Art Education 64, no. 6 (November 2011): 40–46.

  26. 26.

    Cynthia Nikitin, “Making Public Art Work,” Sculpture 19, no. 3 (2000).

  27. 27.

    Chung and Ortiz, “Art Education in Action.”

  28. 28.

    David M. Donahue, “Connecting Classrooms and Communities through Chicano Mural Art,” Multicultural Perspectives 13, no. 2 (January 1, 2011): 70–78.

  29. 29.

    Brian C. Charest et al., “Turning Schools Inside Out: Connecting Schools and Communities through Public Arts and Literacies,” Journal of Language and Literacy Education 10, no. 1 (March 1, 2014): 188–203.

  30. 30.

    Birchall, “Socially Engaged Art.”

  31. 31.

    Holly Giffin, “When A School Becomes A Theatre Company: Plays At the Gold Hill School,” Stage Of The Art 7 (1995).

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Scott, S.J., Siegel, S. (2018). Affecting Campus Climate: Fine and Performing-Arts Community Outcomes. In: Hensel, N. (eds) Exploring, Experiencing, and Envisioning Integration in US Arts Education. The Arts in Higher Education. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-71051-8_14

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-71051-8_14

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-319-71050-1

  • Online ISBN: 978-3-319-71051-8

  • eBook Packages: EducationEducation (R0)

Publish with us

Policies and ethics