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Authorial Vocation and Literary Innovation, 1850–1851

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The Vocation of Sara Coleridge
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Abstract

This chapter examines Sara Coleridge’s dialogic methods of composition in her ‘Introduction’ to STC’s Essays on His Own Times, in which she argues for a Christian system of political economy. The chapter then discusses the unpublished Dialogues on Regeneration. Schofield analyses Sara Coleridge’s innovative appropriation of Socratic dialogue: how liberal inclusivity is enacted in the form of her work, and how a predominantly genial tone represents its thematic ethic. Referring in detail to her presentation of women characters in Dialogues, the chapter explores her construction of gender in relation to prevailing sectarian assumptions and differing forms of religious experience. Sara Coleridge’s use of didactic poetry in Dialogues is examined, and is considered in relation to both her religious aesthetics and her prioritization of ‘practical Christianity’.

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Notes

  1. 1.

    John Henry Newman, An Essay on the Development of Christian Doctrine (London: Toovey, 1845, p. 39).

  2. 2.

    Robert Southey , Sir Thomas More: Or, Colloquies on the Progress and Prospects of Society, 2 vols (London: Murray, 1829), I, p. 26.

  3. 3.

    From ‘The Order of Holy Communion’, in The Book of Common Prayer.

  4. 4.

    Aubrey de Vere, English Misrule and Irish Misdeeds (London: Murray, 1848), p. 105.

  5. 5.

    ‘Sara Coleridge’s “Critique of Dante and Milton”’, ed. by Peter Swaab, Wordsworth Circle, 44 (2013), 20–30 (p. 28, p. 29).

  6. 6.

    John Henry Newman, ‘Home Thoughts Abroad’, British Magazine, 9 (1836), 236–248 & 357–369 (p. 238).

  7. 7.

    See STC’s Literary Remains, III, pp. 109–110.

  8. 8.

    WPTV, p. 208, ll. 15–16.

  9. 9.

    Jürgen Habermas, The Structural Transformation of the Public Sphere: an Enquiry into a Category of Bourgeois Society (Cambridge: Polity Press, 1992), p. 82.

  10. 10.

    Henry William Burrows, The Half-Century of Christ Church, St. Pancras, Albany Street (London: Skeffington, 1887), p. 67 n.

  11. 11.

    Fran Carlock Stephens, Hartley Coleridge Letters; A Calendar and Index (Austin: The University of Texas, 1978), p. 63.

  12. 12.

    Hartley Coleridge, Poems, ed. by Derwent Coleridge, 2 vols (London: Moxon, 1851), II, pp. 337–387.

  13. 13.

    Mark Knight and Emma Mason, Nineteenth-Century Religion and Literature: An Introduction (Oxford: Oxford University Press, 2006), p. 97.

  14. 14.

    See Swaab’s notes on the Dialogues on Regeneration poems in Poems, pp. 239–242.

  15. 15.

    G. B. Tennyson , Victorian Devotional Poetry: The Tractarian Mode (Cambridge, Massachusetts; Harvard University Press, 1981), p. 38.

  16. 16.

    John Henry Newman et al., Lyra Apostolica, 2nd edn (Derby: Mozley; Oxford: Parker; London: Rivington, 1837), pp. 28–29.

  17. 17.

    Rodney Stenning Edgecombe, Two Poets of the Oxford Movement: John Keble and John Henry Newman (London: Associated University Press, 1996), p. 168.

  18. 18.

    Jeremy Morris, F. D. Maurice and the Crisis of Christian Authority (Oxford: Oxford University Press, 2008), p. 82 n. Maurice’s emphasis.

  19. 19.

    The text is taken from the manuscript of the Dialogues. The version in Poems (p. 192) is from Sara’s ‘Red Book’: see Poems, p. 240. There are two small differences between the texts: line 2 of the version in Poems has ‘hopes to fill’ instead of ‘thinks to fill’; the end of the fourth line of stanza 2 has a comma after ‘glow’, not a semi-colon.

References

Bibliography of Works by Sara Coleridge

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Schofield, R. (2018). Authorial Vocation and Literary Innovation, 1850–1851. In: The Vocation of Sara Coleridge. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-70371-8_6

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