Abstract
The second dimension of our analysis, the representation, is about the way the musical content is represented. The choice of representation and its encoding is tightly connected to the configuration of the input and the output of the architecture, i.e. the number of input and output variables as well as their corresponding types.
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Briot, JP., Hadjeres, G., Pachet, FD. (2020). Representation. In: Deep Learning Techniques for Music Generation. Computational Synthesis and Creative Systems. Springer, Cham. https://doi.org/10.1007/978-3-319-70163-9_4
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DOI: https://doi.org/10.1007/978-3-319-70163-9_4
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