Abstract
This chapter evaluates a large corpus of films and television series that feature the queens of the early modern period, arguing that these productions effectively categorize these women into five typologies: Victors, Victims, Villains, Virgins, and Viragoes. Examples are drawn from works across the twentieth and twenty-first centuries that demonstrate the five typologies, from the classic films of 1930s Hollywood, such as Katherine Hepburn’s starring role in Mary of Scotland to recent television series from Spain’s RTVE network on Isabel I and her descendants. The chapter ultimately argues that these typologies reflect modern society and gender constructs rather than the realities of early modern queenship.
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Works Cited
Films/Television Series
The Affair of the Necklace. Feature Film. Directed by Charles Shyer. Warner Bros., 2001.
Anna Boleyn. Feature Film. Directed by Ernst Lubitsch. Messter Films, 1920.
Anne of the Thousand Days. Feature Film. Directed by Charles Jarrott. Hal Wallis Productions, 1969.
Catherine the Great. Television Miniseries. Directed by Marvin J. Chomsky. Skylark Cine Inc, 1996.
Carlos, Rey Emperador. Television Series. Directed by Álvaro Cervantes. Diagonal TV, 2015–2016.
The Crown. Television Series. Directed by Peter Morgan. Netflix, 2016–.
Ekaterina. Television Series. Directed by Aleksandr Baranov. Amedia See, 2014.
Elizabeth. Feature Film. Directed by Shekhar Kapur. Working Title Films, 1998.
Elizabeth I. Television Series. Directed by Tom Hooper. HBO, 2005.
Elizabeth R. Television Series. Directed by Roderick Graham. BBC, 1971.
Elizabeth: The Golden Age. Feature Film. Directed by Shekhar Kapur. Universal Pictures, 2007.
Ferris Bueller’s Day Off. Feature Film. Directed by John Hughes. Paramount Pictures, 1986.
Fire over England. Feature Film. Directed by William K. Howard. London Film Productions, 1937.
The Girl King. Feature Film. Directed by Mika Kaurismäki. Mariana Films, 2015.
Henry VIII. Television Series. Directed by Pete Travis. PBS, 2003.
Isabel. Television Series. Directed by Jordi Frades. RTVE/Diagonal TV, 2011–2014.
Juana la Loca (Mad Love). Feature Film. Directed by Vicente Aranda. Canal+, 2001.
La Corona Partida. Feature Film. Directed by Jordi Frades. Diagonal TV, 2016.
Lady Jane. Feature Film. Directed by Trevor Nunn. Paramount Pictures, 1986.
La Reine Margot. Feature Film. Directed by Patrice Chéreau. Renn Productions, 1994.
Les Adieux à la Reine. Feature Film. Directed by Benoît Jacquot. GMT Productions, 2012.
The Lion in Winter. Feature Film. Directed by Anthony Harvey. Haworth Productions, 1968.
The Magnificent Century (Muhtesem Yüzyil). Television Series. Directed by Durul and Yagmur Taylan. Tim’s Productions, 2011–2014.
The Man in the Iron Mask. Feature Film. Directed by Randall Wallace. United Artists, 1998.
Marie Antoinette. Feature Film. Directed by W.S. Van Dyke. MGM, 1938.
Marie Antoinette. Feature Film. Directed by Sofia Coppola. Columbia Pictures, 2006.
Marie Antoinette Reine de France (Shadow of the Guillotine). Feature Film. Directed by Jean Delannoy. Franco-London Films, 1956.
Mary of Scotland. Feature Film. Directed by John Ford. Radio Pictures, 1936.
Mary Queen of Scots. Feature Film. Directed by Charles Jarrott. Universal Pictures, 1971.
The Other Boleyn Girl. Feature Film. Directed by Justin Chadwick. Columbia Pictures, 2008.
Pretty in Pink. Feature Film. Directed by Howard Deutch. Paramount Pictures, 1986.
The Princess Bride. Feature Film. Directed by Rob Reiner. Act III Communications, 1987.
Reign. Television Series. Directed by Laurie McCarthy. World 2000 Entertainment, 2013–.
The Rise of Catherine the Great. Feature Film. Directed by Paul Czinner. London Film Productions, 1934.
A Royal Affair. Feature Film. Directed by Nikolaj Arcel. Zentropa Entertainments, 2012.
The Scarlett Empress. Feature Film. Directed by Josef von Sternberg. Paramount Pictures, 1934.
The Tudors. Television Series. Created by Michael Hurst. Showtime Networks, 2007–2010.
Queen Christina. Feature Film. Directed by Rouben Mamoulian. MGM, 1933.
Victoria. Television Series. Directed by Daisy Goodwin. Mammoth Screen, 2016–.
The Virgin Queen. Television Series. Directed by Coky Giedroyc. BBC, 2005.
Wolf Hall. Television Series. Directed by Peter Kosminsky. BBC Productions, 2015.
Young Bess. Feature Film. Directed by George Sidney. MGM, 1953.
Young Catherine. Television Series. Directed by Michael Anderson. Consolidated Entertainment, 1991.
The Young Victoria. Feature Film. Directed by Jean-Marc Vallée. GK Films, 2009.
Plays/Performances/Paintings
Banks, John. “Vertue Betray’d: Or Anna Bullen, a tragedy.” London: R. Bentley and M. Magnes, 1682.
Boker, George. “Anne Boleyn: A Tragedy.” Philadelphia: A. Hart, 1850.
Delaroche, Paul. “The Execution of Lady Jane Grey,” oil on canvas, National Gallery, London, NG 1909.
Donizetti, Gaetano. Anna Bolena. Opera, 1830.
Poulton, Mike. Wolf Hall and Bring up the Bodies: The Stage Adaptation. New York: Picador, 2014.
Schiller, Fredrick. Mary Stuart. Theatrical Performance. Directed by Robert Icke. Almeida Theatre, London, 2016–17.
Shakespeare, William. Henry VIII. Play, (London, 1632).
Sylvain, Barbara and Lula Béry. It’s so nice. Theatrical Performance. Directed by Cyril Aribaud and Léonard Clarys. Oh My God Theatre Company, 2011.
Published Works
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News Stories/Internet Sources
“The CW’s Reign: Megan Follows on Catherine’s Royal Motivations.” Access Hollywood, October 24, 2013. https://www.accesshollywood.com/articles/the-cws-reign-megan-follows-on-catherines-royal-motivations-139074/.
BBC “The Virgin Queen: Characters, Queen Mary” http://www.bbc.co.uk/drama/virginqueen/joanne_whalley.shtml.
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T.L. Stanley, “Reign hopes to seduce teens with its tales of Mary Queen of Scots” Los Angeles Times, September 13, 2013. http://www.latimes.com/entertainment/tv/showtracker/la-et-st-reign-mary-queen-of-scotts-20130915-story.html.
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Woodacre, E. (2018). Early Modern Queens on Screen: Victors, Victims, Villains, Virgins, and Viragoes. In: North, J., Alvestad, K., Woodacre, E. (eds) Premodern Rulers and Postmodern Viewers . Queenship and Power. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-68771-1_2
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