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“The Sanity of All the Parties Are at Par Value”

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Part of the book series: Palgrave Studies in Theatre and Performance History ((PSTPH))

Abstract

Competition increases, primarily from Billy Mitchell’s Olympic Theatre, and the Bowery Theatre appears to be adrift. Hamblin, turning forty, counters by producing increasingly lavish (and lucrative) spectacles, including filling the entire stage with water for “tank dramas” with battling warships, like those he had seen as a child. Hamblin runs afoul of the wishes of the Bowery Theatre shareholders, then undertakes ambitious plans to build a prestigious theatre on Broadway. Eliza Shaw’s popularity continues to grow, especially in breeches roles, costumed as a young man to exhibit her legs. She gives birth to Thomas Hamblin, Jr. Various creditors file lawsuits against Hamblin as his financial difficulties accumulate. Charles Dickens attends the Bowery and admires Shaw.

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Notes

  1. 1.

    NYM, Feb. 8, 1840.

  2. 2.

    1839 Bowery Theatre Hamlet promptbook, Dartmouth College Library.

  3. 3.

    NYEP, Mar. 9, 1840.

  4. 4.

    David L. Rinear. The Temple of Momus: Mitchell’s Olympic Theatre. Metuchen, NJ: The Scarecrow Press, 1987, 1–13.

  5. 5.

    NYEP, Apr. 7, 1828; NYE, Apr. 22, 1828.

  6. 6.

    NYEP, July 6, 1840; Clipper, June 10, 1888; MCNYE, July 7, 1840.

  7. 7.

    Clipper, June 10, 1888; MCNYE, Aug. 3, 1840.

  8. 8.

    NYH, July 18, 1840.

  9. 9.

    Odell IV: 440; NYH, Sept. 26, 1840.

  10. 10.

    NYH, Sept. 3, and Oct. 1, 1840.

  11. 11.

    NYH, Aug. 25, 1840.

  12. 12.

    NYH, Oct. 9, 1840.

  13. 13.

    NYH, Oct. 22, 1840.

  14. 14.

    NYS, Nov. 23 and 27, 1840.

  15. 15.

    Hamblin to Shaw, Dec. 11, [1840], HTC.

  16. 16.

    NYM, Jan. 23, 1841; NYH, Jan. 15, 1841.

  17. 17.

    NYH, Feb. 27, 1841; N-Y, Mar. 20, 1841.

  18. 18.

    NYH, Mar. 29, Apr. 1, and Apr. 15, 1841.

  19. 19.

    NYS, May 10–15, 1841.

  20. 20.

    NYH, May 19, 1841; Wemyss, Biography 289.

  21. 21.

    NYH, Feb. 5 and 18, 1841.

  22. 22.

    NYS, May 27, 1841.

  23. 23.

    Sunday Flash, Oct. 3, 17 and 24, 1841.

  24. 24.

    No record of Thomas Snowden Hamblin’s birth is extant, but the 1855 New York state census lists him as 14. The early September birthdate is derived from Eliza’s having finished acting in Charleston December 24, 1840, and returning to the stage on September 6, 1841. Young Thomas may have lied to cover his illegitimacy in later census records, which have him born circa 1848–50, after his parents married.

  25. 25.

    NYH, Aug. 17, 1841.

  26. 26.

    Meserve, Heralds of Promise, 99; New York Atlas, Aug. 22, 1841; NYH, May 22, 1842.

  27. 27.

    Joseph S. Jones. The Carpenter of Rouen. New York: Samuel French, 1899, 9.

  28. 28.

    Sunday Flash, Sept. 12 and 19, 1841.

  29. 29.

    Sunday Flash, Sept. 19 and Oct. 3, 24 and 31, 1841.

  30. 30.

    Sunday Flash, Oct. 3 and 24, 1841.

  31. 31.

    Charles Burr Todd. In Olde New York: Sketches of Old Times and Places in Both the State and the City. New York: The Grafton Press, 1907, 68; unidentified clipping, Nov. 23, 1885, Crawford Theatre Collection, Yale University. Various witnesses testified to their being seen together en déshabillé early in the morning at her home and other places, including luxurious, shared steamship cabins while touring together over the next few years.

  32. 32.

    DMLC, Oct. 23 and 30, 1841.

  33. 33.

    DMLC, Feb. 2, 5 and 12, 1842.

  34. 34.

    DMLC, Dec. 18, 1841; Atlas, Nov. 29, 1841.

  35. 35.

    Atlas, Feb. 13, 1842.

  36. 36.

    DMLC, Jan. 22, 1842.

  37. 37.

    Letters of Charles Dickens, edited by Madeline House & Graham Storey. Oxford: Clarendon Press, 1965–2002, 3:164.

  38. 38.

    PI, Apr. 4, 1842.

  39. 39.

    Ladies’ Companion, May 1842 (17:69).

  40. 40.

    MCNYE, Aug. 26, 1842.

  41. 41.

    NYH, Dec. 3, 1842.

  42. 42.

    Records of: Court of Common Pleas, July 28 and Sept. 14, 1842; Superior Court of the City of New York, Aug. 8, 1842; Vice Chancellor’s Court, MACNY, Sept. 13, 1842.

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Bogar, T.A. (2018). “The Sanity of All the Parties Are at Par Value”. In: Thomas Hamblin and the Bowery Theatre. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-68406-2_10

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