Abstract
In this essay Setina analyzes Moore’s 1941 poem “Light Is Speech” in the periodical in which it first appeared, Klaus Mann’s anti-fascist magazine Decision, to show how Moore shapes a poetics of resistance that both participates in and flags reservations to a wider wartime conversation about the political power of art and cultural exchange. Products of a transitional period in Moore’s own career, “Light Is Speech” and Moore’s further writings for Decision reflect her changing sense of the poet’s role as activist. Setina argues that Decision, short-lived though it was, provides a crucial interlocutor and context for Moore’s development as a political poet, one who saw a need for poetry not just to speak, but also to reach readers and move them to act.
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Setina, E. (2018). Marianne Moore’s “Light Is Speech,” Decision Magazine, and the Wartime Work of Intellectual Exchange. In: Gregory, E., Hubbard, S. (eds) Twenty-First Century Marianne Moore. Modern and Contemporary Poetry and Poetics. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-65109-5_10
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