Summary
Reviewing the production of the video Imaginary Time, we claimthat the time that is created in free improvisation (let us take the purest type of improvisation here to deal with the unmixed phenomenon) is categorically different from score-generated time.
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Mazzola, G. et al. (2017). Reviewing Flow, Gesture, and Spaces in Free Jazz. In: The Topos of Music III: Gestures. Computational Music Science. Springer, Cham. https://doi.org/10.1007/978-3-319-64481-3_29
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DOI: https://doi.org/10.1007/978-3-319-64481-3_29
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