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Reviewing Flow, Gesture, and Spaces in Free Jazz

  • Guerino Mazzola
  • René Guitart
  • Jocelyn Ho
  • Alex Lubet
  • Maria Mannone
  • Matt Rahaim
  • Florian Thalmann
Chapter
Part of the Computational Music Science book series (CMS)

Summary

Reviewing the production of the video Imaginary Time, we claimthat the time that is created in free improvisation (let us take the purest type of improvisation here to deal with the unmixed phenomenon) is categorically different from score-generated time.

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Copyright information

© Springer International Publishing AG, part of Springer Nature 2017

Authors and Affiliations

  • Guerino Mazzola
    • 1
  • René Guitart
    • 2
  • Jocelyn Ho
    • 3
  • Alex Lubet
    • 1
  • Maria Mannone
    • 1
  • Matt Rahaim
    • 1
  • Florian Thalmann
    • 4
  1. 1.School of MusicUniversity of MinnesotaMinneapolisUSA
  2. 2.Institut de Mathématiques de JussieuUniversité Diderot Paris 7ParisFrance
  3. 3.Department of MusicUCLA Herb Alpert School of MusicLos AngelesUSA
  4. 4.School of Electronic Engineering and Computer ScienceQueen Mary University of LondonLondonUK

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