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The BigBang Rubette and the Ontological Dimension of Embodiment

  • Guerino Mazzola
  • René Guitart
  • Jocelyn Ho
  • Alex Lubet
  • Maria Mannone
  • Matt Rahaim
  • Florian Thalmann
Chapter
Part of the Computational Music Science book series (CMS)

Abstract

The BigBang rubette is a gestural music visualization and composition tool that was developed with the goal to reduce the distances between the user, the mathematical framework, and the musical result. In its early stages, described for instance in [1043, 1045], it enabled defining, manipulating, and transforming Score denotators using an intuitive visual and gestural interface. Later on, it was generalized for transformationtheoretical paradigms based on the ontological dimension of embodiment, consisting of facts, processes, and gestures, and the communication between these levels [1042].

Copyright information

© Springer International Publishing AG, part of Springer Nature 2017

Authors and Affiliations

  • Guerino Mazzola
    • 1
  • René Guitart
    • 2
  • Jocelyn Ho
    • 3
  • Alex Lubet
    • 1
  • Maria Mannone
    • 1
  • Matt Rahaim
    • 1
  • Florian Thalmann
    • 4
  1. 1.School of MusicUniversity of MinnesotaMinneapolisUSA
  2. 2.Institut de Mathématiques de JussieuUniversité Diderot Paris 7ParisFrance
  3. 3.Department of MusicUCLA Herb Alpert School of MusicLos AngelesUSA
  4. 4.School of Electronic Engineering and Computer ScienceQueen Mary University of LondonLondonUK

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