The Topos of Music II: Performance pp 779-782 | Cite as
Local and Global Strategies in Composition
Summary
This chapter sketches the compositional process between paradigmatic selection and syntagmatic combination within the musical sign system. Apart from these semiotic perspectives, the process is characterized by a “dialectic” interrelation of local and global criteria. These features—well known from the general structure theory of global compositions—reappear in the special light of poiesis: The construction of a composition resembles the step-by-step completion of a puzzle of logical units, distributed in syntagmatic time, and selected to optimize association to already placed units. This activity is remunerative and fed back by a successive accumulation of poetical semantics.
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