Skip to main content

Battle Royale as a One-Film Franchise: Charting a Commercial Phenomenon Through Cult DVD and Blu-ray Releases

  • Chapter
  • First Online:
Book cover Cult Media
  • 583 Accesses

Abstract

The term cult has regularly been attached to Battle Royale (dir. Kinji Fukasaku, 2000) ever since it was first released in the UK. Tartan Video first used the term, and Arrow Video have gone on to do the same recently, but via a variety of its sub-labels. Charting the UK DVD releases of Battle Royale also tracks differing uses of the term cult; presents the significance of DVD releases and re-releases within film research; and considers the impact that film distributors have on cult and its various meanings. The film itself charts cult’s various meanings and definitions, as do its home media releases. In particular, the DVD distributors use cult in several ways, instead of using it as a fixed category to characterise and market films.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 69.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 89.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Bibliography

  • Arrow Video Film Catalogue. May 2011. Radlett: Arrow Films.

    Google Scholar 

  • Arrow Video Film Catalogue. November 2011. Radlett: Arrow Films.

    Google Scholar 

  • About Us—Arrow Films. 2012. Arrow Films website. Available at: http://www.arrowfilms.co.uk/about-us/. (Accessed 05/01/2016).

  • About Palisades Tartan. 8/07/2008. Palisades Tartan UK website. Available at: http://www.palisadestartan.com/AboutUs.asp. (Accessed 05/01/2016).

  • Atkinson, Sarah. 2014. Beyond The Screen: Emerging Cinema and Engaging Audiences. London: Bloomsbury.

    Google Scholar 

  • Billson, Anne. 2013. Hunger Games: Part of a proud tradition. The Telegraph website. Available at: http://www.telegraph.co.uk/culture/film/10479050/Hunger-Games-part-of-a-proud-tradition.html. (Accessed 05/01/2016).

  • Brereton, Pat. 2012. Smart Cinema, DVD Add-Ons and New Audience Pleasures. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Calboli, Irene. 2014. Overlapping rights: the negative effects of trademarking creative works. In The Evolution and Equilibrium of Copyright in the Digital Age, ed. S. Frankel and D. Gervais, 52–80. Cambridge: Cambridge University Press.

    Google Scholar 

  • Caldwell, John T. 2008. Production Culture: Industrial Reflexivity and Critical Practice in Film and Television. Durham, NC: Duke University Press.

    Google Scholar 

  • Crisp, Virginia, and Gonring, Gabriel Menotti (eds.). 2015. Besides the Screen: Moving Images Through Distribution, Promotion and Curation. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Dew, Oliver. 2007. “Asia Extreme”: Japanese cinema and British hype. New Cinemas: Journal of Contemporary Film, 5 (1): 53–73.

    Google Scholar 

  • Egan, Kate. 2007. Trash or treasure? Censorship and the changing meanings of the video nasties. Manchester: Manchester University Press. 2007.

    Google Scholar 

  • Evans, Nicola Jean. 2010. Undoing the magic? DVD extras and the pleasure behind the scenes. Continuum: Journal of Media and Cultural Studies, 24 (4): 587–600.

    Google Scholar 

  • Fight For Survival at the Prince Charles Cinema. 2015. NeedToConsume website. Available at: http://www.needtoconsume.com/film/fight-survival-prince-charles-cinema/. (Accessed 05/01/2016).

  • Fujita, Akiko. 2012. ‘The Hunger Games’, a Japanese Original? ABC News website. Available at: http://abcnews.go.com/blogs/headlines/2012/03/the-hunger-games-a-japanese-original/. (Accessed 05/01/2016).

  • Genette, Gerard. 1997. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press.

    Google Scholar 

  • Gilbey, Ryan. 2015. Inherent Vice: why fleapits make the perfect film venue. The Guardian website. Available at: http://www.theguardian.com/film/2015/jan/04/inherent-vice-fleapits-perfect-film-venue. (Accessed 05/01/2016).

  • Gorfinkel, Elena. 2008. Cult Film, or Cinephilia By Any Other Name. Cineaste, 34 (1): 33–38.

    Google Scholar 

  • Grainge, Paul and Johnson, Catherine. 2015. Promotional Screen Industries. Abingdon: Routledge.

    Google Scholar 

  • Gray, Jonathan. 2010. Show Sold Separately: Promos, Spoilers, and Other Media Paratexts. New York: New York University Press.

    Google Scholar 

  • Guins, Raiford. ‘Blood and Black Gloves on Shiny Discs: New Media, Old Tastes, and the Remediation of Italian Horror Films in the United States. In Horror International, ed. S.J. Schneider and T. Williams, 15–32. Detroit: Wayne State University Press.

    Google Scholar 

  • Haflidason, Almar. 21/01/2002. Battle Royale DVD. BBC website. Available at: http://www.bbc.co.uk/films/2002/01/21/battle_royale_2002_dvd_review.shtml. (Accessed 05/01/2016).

  • Harper, Graeme. 2005. DVD and the New Cinema of Complexity. In New Punk Cinema, ed. N. Rombes, 89–101. Edinburgh University Press.

    Google Scholar 

  • Hight, Craig. 2005. Making-of Documentaries on DVD: The Lord of the Rings Trilogy and Special Editions. The Velvet Light Trap, No. 56: 4–17.

    Google Scholar 

  • Hutchings, Peter. 2008. Monster Legacies: Memory, Technology and Horror History. In The Shifting Definitions of Genre, ed. L. Geraghty and M. Jancovich, 216–228. London: McFarland and Company.

    Google Scholar 

  • Jancovich, Mark. 2002. Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions. Cultural Studies, 16 (2): 306–22.

    Google Scholar 

  • Johnson, Derek. 2013. Media Franchising: Creative License and Collaboration in the Culture Industries. New York: New York University Press.

    Google Scholar 

  • Kim, Dong Hoon. 2009. Editor’s Introduction: Transnationalism and Film Genres in East Asian Cinema. Spectator, 29 (2): 5–8.

    Google Scholar 

  • Klinger, Barbara. 1997. Film history terminable and interminable: recovering the past in reception studies. Screen, 38 (2): 107–28.

    Google Scholar 

  • Klinger, Barbara. 2006. Beyond the Multiplex: Cinema, New Technologies and the Home. Oakland, CA: University of California Press.

    Google Scholar 

  • Klinger, Barbara. 2008. The DVD Cinephile: Viewing Heritages and Home Film Cultures. In Film and Television after DVD, eds. J. Bennett and T. Brown, 19–44. Abingdon: Routledge.

    Google Scholar 

  • Kristeva, Julia. 1980. Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia University Press.

    Google Scholar 

  • Knight, Julia and Thomas, Peter. 2011. Reaching Audiences: Distribution and Promotion of Alternative Moving Image. Bristol: Intellect.

    Google Scholar 

  • Leader, Michael. 2011. Extreme Fallout: A Post-Tartan Context. Wild Tyme Website. Available at: http://wildtyme.blogspot.com/2011/06/475-extreme-fallout-post-tartan-context.html. (Accessed 12/01/2016).

  • Lobato, Ramon. 2012. Shadow Economies of Cinema: Mapping Informal Film Distribution. London: BFI.

    Google Scholar 

  • Macnab, Geoffrey. 2008. Death of a salesman. The Guardian website. Available at: http://www.guardian.co.uk/film/2008/jul/04/filmandmusic1.filmandmusic1. (Accessed 05/01/2016).

  • Martin, Adrian. 2008. What’s Cult Got To Do With It?: In Defense of Cinephile Elitism. Cineaste, 34 (1): 39–42.

    Google Scholar 

  • Martin, Daniel. 2009. Asia extreme: the marketing and critical reception of cult Asian cinema in the UK. Ph.D. Thesis, University of East Anglia.

    Google Scholar 

  • Martin, Daniel. 2015. Extreme Asia: The Rise of Cult Cinema from the Far East. Edinburgh University Press.

    Google Scholar 

  • Mathijs, E, and Mendik, X (eds). 2008. The Cult Film Reader, Maidenhead: Open University Press.

    Google Scholar 

  • Mathijs, E, and Sexton, J. 2011. Cult Cinema, Chichester: Blackwell.

    Google Scholar 

  • McRoy, Jay (ed.). 2006. Japanese Horror Cinema. Edinburgh University Press.

    Google Scholar 

  • Mes, Tom. 2001. Battle Royale. Midnight Eye website. Available at: http://www.midnighteye.com/reviews/battle-royale/. (Accessed 05/01/2016).

  • Mes, Tom. 2003. In Memoriam Kinji Fukasaku (1930–2003). Midnight Eye website. Available at: http://www.midnighteye.com/features/in-memoriam-kinji-fukasaku-1930-2003/. (Accessed 05/01/2016).

  • Mes, Tom, and Sharp, Jasper. 2005. The Midnight Eye Guide to Japanese Film. Berkeley: Stone Bridge Press.

    Google Scholar 

  • Murray, Tim. 2015. Newsletter—Week Ending, January 3 2015. The Raygun website. Available at: http://ymlp.com/zKIyCZ. (Accessed 12/01/2016).

  • Murray, Tim. 2016. Newsletter—Week Ending, January 9 2016. The Raygun website. Available at: http://ymlp.com/zp6lYo. (Accessed 12/01/2016).

  • Orr, Mary. 2003. Intertextuality: Debates and Contexts. Cambridge: Polity Press.

    Google Scholar 

  • Parker, Deborah and Parker, Mark. 2004. Directors and DVD Commentary: The Specifics of Intention. The Journal of Aesthetics and Art Criticism, 62 (1): 13–22.

    Google Scholar 

  • Pulver, Andrew. 2008. R.I.P. Tartan. The Guardian website. Available at: http://www.guardian.co.uk/film/filmblog/2008/jun/30/riptartan. (Accessed 05/01/2016).

  • Shin, Chi-Yun. 2008. Art of branding: Tartan ‘Asia Extreme’ Films. Jump Cut: A Review of Contemporary Media, No. 50. Available at: http://www.ejumpcut.org/archive/jc50.2008/TartanDist/index.html. (Accessed 05/01/2016).

  • Stimpson, Andrew. 2008. Demise of Tartan Films: What Went Wrong? The Quietus website. Available at: http://thequietus.com/articles/00209-on-the-demise-of-tartan-films. (Accessed 05/01/2016).

  • Terror-Cotta: Horror has a new home. 14/07/2011. Terracotta website. Available at: http://terracottadistribution.com/blog/2011/07/terror-cotta. (Accessed 05/01/2016).

  • Video Nasties List. MelonFarmers website. Available at: http://www.melonfarmers.co.uk/nasties.htm. (Accessed 05/01/2016).

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Jonathan Wroot .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Wroot, J. (2017). Battle Royale as a One-Film Franchise: Charting a Commercial Phenomenon Through Cult DVD and Blu-ray Releases. In: Wroot, J., Willis, A. (eds) Cult Media. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-63679-5_2

Download citation

Publish with us

Policies and ethics