Skip to main content

In Search of Dracula’s Oracular History

  • Chapter
  • First Online:
Dracula

Part of the book series: Palgrave Gothic ((PAGO))

  • 673 Accesses

Abstract

This chapter is concerned with recovering Dracula’s narrative voice and tracing its evolution beginning with and following the publication of the novel. It shall proceed by tracing how history has shaped and morphed Dracula’s narrative voice in response to shifting moral, cultural, and technological stimuli. While this chapter aims less to record Dracula’s entire stage and film progeny, it does purpose to construct from it a basic outline that not only chronicles a rich history of narrativity but captures his changing complexity in relation to narrativity by exposing interrelationships that bear in mind relevant production history, as well as Dracula’s continuously evolving cultural conceptualization and visualization.

This chapter has been partially adapted and updated from the following publication: John Edgar Browning, “‘Our Draculas tell us who we were:’ Shadows of Exotic, Ethnic, and Sexualized Others,” in 20042005 Film & History CD-ROM Annual, ed. Peter C. Rollins, John E O’Connor, and Deborah A. Carmichael (Cleveland, OK: Film & History, 2005).

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 89.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Works Cited

  • Auerbach, Nina. Our Vampires, Ourselves. Chicago: University of Chicago Press, 1995.

    Google Scholar 

  • Belford, Barbara. Bram Stoker and the Man Who Was Dracula. Cambridge: Da Capo Press, 2002.

    Google Scholar 

  • Botting, Fred. Gothic. New York: Routledge, 2003.

    Google Scholar 

  • Browning, John Edgar. Bram Stoker’s Dracula: The Critical Feast, An Annotated Reference of Early Reviews and Reactions, 1897–1913 (Berkeley, CA: Apocryphile Press, 2012).

    Google Scholar 

  • ———, and Caroline Joan (Kay) Picart. Dracula in Visual Media: Film, Television, Comic Book and Electronic Game Appearances, 1921–2010. Jefferson, NC: McFarland, 2011.

    Google Scholar 

  • Bunson, Matthew. “Drakula.” In The Vampire Encyclopedia. New York: Gramercy Books-Random House, 1999.

    Google Scholar 

  • Case, Alison. “Tasting the Original Apple: Gender and the Struggle for Narrative Authority in Dracula.” Narrative 1. No. 3 (October 1993): 223–243.

    Google Scholar 

  • Cooper, Mark. “Love, Danger, and the Professional Ideology of Hollywood Cinema.” Cultural Critiques 39 (2003): 85–118.

    Google Scholar 

  • Deane, Hamilton, and John L. Balderston. Dracula: The Ultimate, Illustrated Edition of the World-Famous Vampire Play, edited by David J. Skal. New York: St. Martin’s Press, 1993.

    Google Scholar 

  • Haining, Peter. The Dracula Scrapbook. Stamford, CT: Longmeadow Press, 1992.

    Google Scholar 

  • Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham, NC: Duke University Press, 2000 [1995].

    Google Scholar 

  • Hutchings, Peter. Dracula (The British Film Guide 7). London: I. B. Tauris, 2003.

    Google Scholar 

  • Lee, Christopher. “Foreword.” In The Dracula Scapbook, edited by Peter Haining. New York: Bramhall House, 1976.

    Google Scholar 

  • Lennig, Arthur. The Immortal Count: The Life and Films of Bela Lugosi. Lexington, KY: University Press of Kentucky, 2003.

    Google Scholar 

  • Ludlam, Harry. A Biography of Dracula: The Life Story of Bram Stoker. London: Foulsham, 1962.

    Google Scholar 

  • McNally, Raymond, and Radu Florescu. In Search of Dracula: The History of Dracula and Vampires. Revised ed. New York: Houghton Mifflin Company, 1994.

    Google Scholar 

  • Melton, J. Gordon. The Vampire Book: The Encyclopedia of the Undead. Detroit: Visible Ink Press, 1999.

    Google Scholar 

  • Picart, Caroline, and Cecil Greek, C. “The Compulsions of Real/Reel Serial Killers and Vampires: Towards a Gothic Criminology.” Journal of Criminal Justice and Popular Culture 10. No. 1 (2003): 39–68.

    Google Scholar 

  • Pirie, David. The Vampire Cinema. New York: Crescent Books, 1977.

    Google Scholar 

  • Ramsland, Katherine. The Science of Vampires. New York: Berkley Publishing Group, 2002.

    Google Scholar 

  • Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. New York: W. W. Norton and Company, 1990.

    Google Scholar 

  • ———. V is for Vampire: The A-Z Guide to Everything Undead. London: Robson Books Ltd., 1999.

    Google Scholar 

  • ———. “‘His Hour Upon the Stage’: Theatrical Adaptations of Dracula.” In Dracula: A Norton Critical Edition, edited by Nina Auerbach and David J. Skal. New York: W. W. Norton and Company, 1997.

    Google Scholar 

  • ———, ed. Vampires: Encounters with the Undead. New York: Black Dog and Leventhal Publishers, 2001.

    Google Scholar 

  • Wolf, Leonard. The Annotated Dracula. New York: Clarkson N. Potter, Inc., 1975.

    Google Scholar 

  • ———. Dracula: The Connoisseur’s Guide. New York: Broadway Books, 1997.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to John Edgar Browning .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Browning, J.E. (2017). In Search of Dracula’s Oracular History. In: Crișan, MM. (eds) Dracula. Palgrave Gothic. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-63366-4_11

Download citation

Publish with us

Policies and ethics