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Alfred Hitchcock: Cinematic Seducer Frenzy and the Seduction Theory of Film

  • Marcus Stiglegger
Chapter

Abstract

In 1971, Alfred Hitchcock returned to England to direct Frenzy, a film that not only evokes several of his characteristic themes, but also shows that Hitchcock was capable of a far more drastic tone than he had previously demonstrated. Frenzy is not only a variation on his well-known theme of the “guiltlessly guilty” man, but also a meta-cinematic reflection of Hitchcock’s own standards as a filmmaker. From the perspective of a cinematic theory of seduction, this article examines how Hitchcock as a filmmaker seduces his audience and how the film exhibits the trademark qualities of Hitchcockian cinema while both subverting them and going beyond them at the same time.

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Copyright information

© The Author(s) 2017

Authors and Affiliations

  • Marcus Stiglegger
    • 1
  1. 1.DEKRA Hochschule für MedienBerlinGermany

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