Abstract
Nancy Caronia explores The Emperor’s Babe (2001), a work set in AD 201 that calls into question the purity and privilege of contemporary Britain’s whiteness by confronting notions of racial and gender tensions in London, aka Londinium, Britannia, a heterogeneous outpost of the Roman Empire. Purposefully anachronistic, Evaristo’s poem as novel emulates Ovidian epic form in order to examine violence as both the means and the refusal of individual and collective madness. Madness is represented through the spectacle of the arena as well as through the narrative’s refusal to maintain linguistic accuracy. The narrator, Zuleika, the daughter of Sudanese merchant immigrants, switches between Latin and contemporary slang to reveal the ways in which she cannot occupy more than a tentative space in Londinium or in any of her relationships. In this configuration, violence is both sacrifice and self-gratification. Linguistic, cultural, and personal violence becomes the means through which to express or deny the madness of an oppressive and constraining social system.
ain’t no one never gonna write
about your life but you. Once you’re dead,
you never existed, baby, so get to it.
Venus to Zuleika in The Emperor’s Babe 1
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Caronia, N. (2017). Resisting Displacement in Bernardine Evaristo’s The Emperor’s Babe . In: Brown, C., Garvey, J. (eds) Madness in Black Women’s Diasporic Fictions. Gender and Cultural Studies in Africa and the Diaspora. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-58127-9_2
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