Abstract
In this chapter, Faleschini Lerner considers the roles of migrant mothers in four Italian fiction films that make women key narrative players: Andrea Segre’s Io sono Li (2011), Federico Bondi’s Mar Nero (2008), Terraferma by Emanuele Crialese (2011), and Io, l’altro by Mohsen Melliti (2006). She argues that the mothers in these films share a liquid experience of maternity insofar as they are associated visually with water as a metaphor for the instability of migrant lives in the postmodern era.
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Filmography
Bondi, F., dir. (2008). Mar Nero. Italy, Romania, France: Film Kairòs.
Crialese, E., dir. (2011). Terraferma. Italy and France: Cattleya.
De Seta, V., dir. (2006). Lettere dal Sahara. Italy: Metafilm and MiBAC.
Lombardi, G., dir. (2011). Là bas. Educazione Criminale. Italy: Eskimo, FiglidelBronx, and Minerva Pictures.
Melliti, M., dir. (2006). Io, l’altro. Italy: Trees Pictures and Sanmarco Films.
Placido, M., dir. (1990). Pummarò (Tomato). Italy: Cineuropa 92, Numero Uno, and RAI.
Segre, A., dir. (2011). Io sono Li (Shun Li and the Poet). Italy and France: Jole Films and Aeternam Films.
Spada, M., dir. (2006). Come l’ombra (As the Shadow). Italy: Film Kairòs and Ombre Film.
Tornatore, G., dir. (2006). La sconosciuta (The Unknown Woman). Italy: Medusa Films and Manigold Films.
Torre, R., dir. (2000). Sud Side Stori (South Side Story). Italy: Gam Films, Istituto Luce, Rai Cinema.
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Faleschini Lerner, G. (2017). Liquid Maternity in Italian Migration Cinema. In: Faleschini Lerner, G., D’Amelio, M. (eds) Italian Motherhood on Screen. Italian and Italian American Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-56675-7_11
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DOI: https://doi.org/10.1007/978-3-319-56675-7_11
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