Skip to main content

Co-curating the Curriculum: On the Politics of International Performance Pedagogy

  • Chapter
  • First Online:
  • 299 Accesses

Abstract

Curation, as an emerging research paradigm in Performance Studies, focuses on the process of selection and framing, the productive limitation of knowledge. The authors explore performance curation in terms of how artists and performances negotiate these expanding spaces and audiences and how this inter-city space of performance challenges the ‘international’. They draw comparisons between the practices of curation and pedagogy. The chapter stages two examples of curation that bring the ‘inter-city’ to the fore.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   89.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Notes

  1. 1.

    ‘Curational’ is used to distinguish it from the ‘curatorial’, a concept which refers to the activities of the ‘curator’ as a professional figure in the cultural field. The concept is further elaborated in van Heugten’s doctoral research.

  2. 2.

    For example, Florian Malzacher warns us to appraise critically the rise of the curator in the performing arts and market thinking (2010). Certainly, the independent curator is exemplary of what art sociologist Pascal Gielen has called the rise of creativity as a fundamentalism (2013).

  3. 3.

    Curriculum also designates a ‘fast chariot or a racing car’. It has been in use as a Latin word in English since the 1630s at Scottish universities.

    http://www.etymonline.com/index.php?term=curriculum

  4. 4.

    Ruth Walker questions the inflation of the back-formation to curate, and offers a striking anecdote: ‘Oxford’s earliest citation from the press is from the Daily Telegraph of 1969, “All London Zoo’s mammals were being curated with tremendous flair.” (I can barely imagine what that was supposed to mean. How do you break the news to an elephant that henceforth he’s going to be “curated”?)’ (2013).

  5. 5.

    Oxford English Dictionary http://www.oed.com/view/Entry/45960.

  6. 6.

    Walker, R. (2013). ‘Really? We’re all Curators Now?’ Christian Science Monitor, 17 December.

  7. 7.

    For an overview of the rise of curating in the visual arts, see Paul O’Neill’s ‘The Curatorial Turn. From Practice to Discourse’ (2007).

  8. 8.

    We have chosen to name this previously untitled in-class performance ‘a kissing scene’.

  9. 9.

    One notion of performance as ‘to furnish forth’ or ‘to complete’ derives from the 16th Century French etymological root ‘parfournir’ (Taylor 2003, p. 3).

  10. 10.

    The explanation of the title is taken from the festival website: http://www.crosschannels.habi-web.org/

References

  • Baldacchino, J. (2015). ‘Toward a Curatorial Turn in Education’ in T. E. Lewis & M. J. Laverty (eds.) Art’s Teachings, Teaching’s Art, Dordrecht: Springer, pp. 19–31.

    Chapter  Google Scholar 

  • Conquergood, D. (1985). ‘Performing as a Moral Act. Ethical Dimensions of the Ethnography of Performance.’ Literature in Performance, Vol. 5, No.2, pp. 1–13.

    Article  Google Scholar 

  • Cross Channels. (2008). Festival, 18–19 December. http://www.crosschannels.habi-web.org/. Accessed 31 August 2016.

  • Fibicher, B. (2010). ‘Splitting the Other - A New Epic Voice?’ in Musée cantonal de Beaux-Art Lausanne (ed.) Nalini Malani: Splitting the Other: Retrospective 1992–2009. Ostfildern: Hatje Cantz, pp. 7–10.

    Google Scholar 

  • Freire, P. (1985). The Politics of Education: Culture, Power, and Liberation. Westport, CT: Bergin and Garvey.

    Book  Google Scholar 

  • Freire, P. (2005 [1970]). Pedagogy of the Oppressed. New York and London: Continuum.

    Google Scholar 

  • Gielen, P. (2013). Creativity and Other Fundamentalisms. Heijningen: Jap Sam Books.

    Google Scholar 

  • Hess, D. E., & P. McAvoy (2014). The Political Classroom: Evidence and Ethics in Democratic Education. London and New York: Routledge.

    Google Scholar 

  • Lehmann, H.-T. (2006). Postdramatic Theatre. New York and London: Routledge.

    Google Scholar 

  • Lewis, T. E. (2013a). ‘Jacques Rancière’s Aesthetic Regime and Democratic Education’ The Journal of Aesthetic Education, Vol. 47, No. 2, Summer, pp. 49–70.

    Article  Google Scholar 

  • Lewis, T. E. (2013b). On Study: Giorgio Agamben and Educational Potentiality. New York: Routledge.

    Google Scholar 

  • Malani, N. (2014). ‘In Search of Vanished Blood’ [Installation] Scottish National Gallery, Edinburgh, 4 August.

    Google Scholar 

  • Malzacher, F. (2010). ‘A Cause and a Result. About a Job with an Unclear Profile, Aim and Future.’ Frakcija; Performing Arts Journal, Vol. 55, pp. 10–21.

    Google Scholar 

  • O’Neill, P. (2007). ‘The Curatorial Turn. From Practice to Discourse’ in J. Rugg & M. Sedgwick (eds.) Issues in Curating Contemporary Art and Performance. Bristol and Chicago: Intellect, pp. 13–28.

    Google Scholar 

  • Taylor, D. (2003). The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press.

    Book  Google Scholar 

  • von Bismarck, B. (2010). ‘Relations in Motion. The Curatorial Condition in Visual Art and Its Possibilities for Neighboring Disciplines.’ Frakcija, Vol. 55, pp. 50–57.

    Google Scholar 

  • Walker, R. (2013) ‘Really? We’re All Curators Now?’ Christian Science Monitor, 17 December. http://www.csmonitor.com/The-Culture/Verbal-Energy/2013/1217/Really-We-re-all-curators-now. Accessed 10 November 2015.

  • Williams, R. (1983). Keywords: A Vocabulary of Culture and Society. New York: Oxford University Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Gargi Bharadwaj .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Bharadwaj, G., van Heugten, L. (2017). Co-curating the Curriculum: On the Politics of International Performance Pedagogy. In: Bala, S., Gluhovic, M., Korsberg, H., Röttger, K. (eds) International Performance Research Pedagogies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-53943-0_15

Download citation

Publish with us

Policies and ethics