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Matter, Sociability and Space: Some Ways of Looking at the History of Books

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Books in Motion in Early Modern Europe

Part of the book series: New Directions in Book History ((NDBH))

Abstract

This contribution examines some of the key themes that recur throughout the volume, including: the materiality of books; the social interactions that gave books their meaning in sociable contexts, and that facilitated their distribution; the relevance of censorship; and the nature of the spaces in which those social interactions took place. The author suggests that book history, far from being a specialized discipline restricted to the history of texts, provides a useful tool with which to explore the history of human culture and human action more generally.

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Notes

  1. 1.

    R. Darnton, ‘What is the history of books?’, Daedalus 1982, 63–83; also The Forbidden Best-Sellers of Pre-Revolutionary France (1996), 182–183 and The Kiss of Lamourette: Reflections in Cultural History (New York, 1990), ch. 7; see also W. Undorf, From Gutenberg to Luther: Transnational Print Cultures in Scandinavia 1450–1525 (Leiden, 2012), esp. 311–320.

  2. 2.

    Not Dead Things: The Dissemination of Popular Print in Britain, Italy, and the Low Countries, 1500–1900, ed. R. Harms, J. Raymond and J. Salman (Leiden, 2013), especially ‘Introduction: The distribution and dissemination of popular print’, 1–29.

  3. 3.

    D.R. Carlson, ‘A theory of the early English printing firm: Jobbing, book publishing, and the problem of productive capacity in Caxton’s Work’, in Caxton’s Trace: Studies in the History of English Printing, ed. W. Kuskin (Notre Dame, IN, 2006), 35–68; P. Stallybrass, ‘“Little Jobs”: Broadsides and the printing revolution’, in Agent of Change: Print Culture Studies after Elizabeth L. Eisenstein, ed. S. Alcorn Baron, E.N. Lindquist and E.F. Shevlin (Amherst, 2007), 315–341; M. Jenner, ‘London’, in The Oxford History of Popular Print Culture, vol. 1: Cheap Print in Britain and Ireland to 1660, ed. Joad Raymond (Oxford, 2011), 294–307.

  4. 4.

    See also M. Nevitt, ‘Books in the News in Cromwellian England’, forthcoming in Media History, 2017.

  5. 5.

    E.L. Eisenstein, The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe, 2 vols. (Cambridge, 1979); A. Johns, The Nature of the Book: Print and Knowledge in the Making (Chicago, 1998).

  6. 6.

    On publishing and the law, see also Ian Williams’s unpublished paper ‘Becoming Normal? Law Printing in the 1630s’. On international censorship, Joad Raymond, ‘Les libelles internationaux à la période moderne: étude préliminaire’, Etudes Episémè, 26 (2014), <http://episteme.revues.org./297>; and for an account of the chilling effects, see idem, ‘Censorship in Law and Practice in Seventeenth-Century England: Milton’s Areopagitica’, in Oxford Handbook to English Law and Literature, 1500–1700, ed. L. Hutson (Oxford, 2017), 507–528.

  7. 7.

    G. Campbell et al., Milton and the Manuscript of ‘De Doctrina Christiana’ (Oxford, 2007), 5–38.

  8. 8.

    The National Archives, SP 29/408 f.278.

  9. 9.

    See also Media History, 21.1 (2015), Special issue on ‘Paper Scarcity and its Impact on Print Culture/Historical Parallels with the Spectrum Scarcity Debate’, ed. J. Kittler, J. Nerone and J. Raymond.

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Raymond, J. (2017). Matter, Sociability and Space: Some Ways of Looking at the History of Books. In: Bellingradt, D., Nelles, P., Salman, J. (eds) Books in Motion in Early Modern Europe. New Directions in Book History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-53366-7_13

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