Abstract
This chapter analyses a unique collaboration between artists and urban planners and managers and its effect on urban policies. We discuss whether artists help the latter to develop new perspectives on their own practice, and thus bring about new ways of understanding and representing urban issues. Artists appear as professionals whose sensitivity and reflexive practice can open new perspectives on the understanding of urban issues, here the uses and attachments to public space. They take into account subjectivities, whereas, in the urban professional world, information is usually objectivised, and personal feelings and perceptions are hidden. Art-based methods (such as performance) offer to urban planners ways of moving beyond their preconceived notions of public space and question their vocabulary (the word appropriation) and practices (in public consultations, for instance). Artists may however question their creativity and the reality of art in such a collaboration framework.
Keywords
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
This chapter is based on a collaborative research study funded by La Région Ile de France. Four other case studies were conducted to present the contribution of artists along with urban professionals to discussions on urban issues. Rosière is a cryptonym for one city in Paris’s northern suburb. According to ethics code, the real names of the city, participating urban planners, artists and the training program remain anonymous.
- 2.
In this case study, three of the four artists involved, five urban professionals of the city of Rosière, one resident and one ArtPol manager were interviewed and the documents produced by the artists were analysed. One researcher participated in one of the artistic experiments: ‘la balade des yeux’ (Eye Stroll) in the context of her own neighbourhood.
- 3.
As the intellectual process of ArtPol is to develop its own concepts, in a French context, we introduce them in italics in French and provide our own English translation of the terms in parenthesis. We then use the French conceptual terms in italics throughout the rest of the chapter.
References
Ardenne, P. (2002). Un art contextuel. Création artistique en milieu urbain, en situation, d’intervention, de participation. Paris: Flamarion.
Baxandall, M. (1991). Les formes de l’intention. Sur l’explication historique des tableaux. Paris: Editions Jacqueline Chambon.
Becker, H. S. (2009). Comment parler de la société. Artistes, écrivains, chercheurs et représentations sociales. Paris: La Découverte.
Borén, T., & Young, C. (2013). Getting creative with the ‘Creative City’? towards new perspectives on creativity in urban policy. International Journal of Urban and Regional Research, 37(5), 1799–1815.
Chaudoir, P. (2000). Discours et figures de l’espace public à travers les ‘arts de la rue’. La ville en scènes. Paris: L’Harmattan.
Evans, G. (2001). Cultural planning. An urban renaissance?. London: Routledge.
Heinich, N. (2005). L’élite artiste: Excellence et singularité en régime démocratique. Paris: Gallimard.
Latour, B. (2013). An inquiry into modes of existence. Cambridge: Harvard University Press.
Ley, D. (2003). Artists, aestheticisation and the field of gentrification. Urban Studies, 40(12), 2527–2544.
Lloyd, R. (2002). Neo-Bohemia: Art and neighborhood redevelopment in Chicago. Journal of Urban Affairs, 24(5), 517–532.
Mele, C. (2000). Selling the lower East side: Culture, real estate, and resistance in New York city. Minneapolis: University of Minnesota Press.
Miles, M. (2005). Interruptions: Testing the rhetoric of culturally led urban development. Urban Studies, 42(5–6), 889–911.
Pinson, D. (2009). L’art dans la ville. In J.-M. Stébé & H. Marchal (Eds.), Traité sur la ville. Paris: Presses Universitaires de France.
Scott, A. J. (2000). French cinema. Economy, Policy and place in the making of a cultural-products industry. Theory, Culture and Society, 17(1), 1–38.
Storper, M. (1989). The transition to flexible specialisation in the US film industry: External economies, the division of labour, and the crossing of industrial divides. Cambridge Journal of Economics, 13(2), 273–305.
Till, K. E. (2011). Interim use at a former death strip? Art, politics and urbanism at Skulpturenpark Berlin_Zentrum. In M. Silberman (Ed.), The German wall. Fallout in Europe (pp. 99–122). London: Palgrave Macmillan.
Wilson, E. (2003). Bohemians. The glamorous outcasts. New York: Tauris Parke Paperbacks.
Zukin, S. (1991). Landscapes of power. From detroit to disney world. Berkeley: University of California Press.
Zukin, S. (1995). The cultures of cities. Cambridge: Blackwell Publisher.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 Springer International Publishing AG
About this chapter
Cite this chapter
Vivant, E., Arab, N., Özdirlik, B. (2017). Practices and Prejudices: Lessons from an Encounter Between Artists and Urban Planners. In: Murzyn-Kupisz, M., Działek, J. (eds) The Impact of Artists on Contemporary Urban Development in Europe. GeoJournal Library, vol 123. Springer, Cham. https://doi.org/10.1007/978-3-319-53217-2_15
Download citation
DOI: https://doi.org/10.1007/978-3-319-53217-2_15
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-53215-8
Online ISBN: 978-3-319-53217-2
eBook Packages: Social SciencesSocial Sciences (R0)