Abstract
Using the examples of Czechoslovakia, East Germany and Poland, this article explores the professional song and dance ensembles of the socialist militaries as a transnational phenomenon that spread in these countries after World War II. The institution of the song and dance ensemble originated in the Soviet Union, and the Central European states made wide use of it, adapting the Soviet model to the national conditions. Within the specific context of the socialist military these ensembles had to strike a balance between artistic needs, political requirements and military utilitarianism. No matter how uncomfortable such a position was, the ensembles were supported as hallmarks of the socialist militaries and as projections of their identities, which in turn resulted in their lack of legitimacy when the state socialist regimes collapsed in 1989.
This chapter was supported by the Charles University Research Development Schemes (PRVOUK) P17 and by the International Visegrad Fund.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Šmidrkal, V. (2017). Song and Dance Ensembles in Central European Militaries: The Spread, Transformation and Retreat of a Soviet Model. In: Balme, C., Szymanski-Düll, B. (eds) Theatre, Globalization and the Cold War. Transnational Theatre Histories. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-48084-8_6
Download citation
DOI: https://doi.org/10.1007/978-3-319-48084-8_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-48083-1
Online ISBN: 978-3-319-48084-8
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)