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Song and Dance Ensembles in Central European Militaries: The Spread, Transformation and Retreat of a Soviet Model

  • Václav Šmidrkal
Chapter
Part of the Transnational Theatre Histories book series (TTH)

Abstract

Using the examples of Czechoslovakia, East Germany and Poland, this article explores the professional song and dance ensembles of the socialist militaries as a transnational phenomenon that spread in these countries after World War II. The institution of the song and dance ensemble originated in the Soviet Union, and the Central European states made wide use of it, adapting the Soviet model to the national conditions. Within the specific context of the socialist military these ensembles had to strike a balance between artistic needs, political requirements and military utilitarianism. No matter how uncomfortable such a position was, the ensembles were supported as hallmarks of the socialist militaries and as projections of their identities, which in turn resulted in their lack of legitimacy when the state socialist regimes collapsed in 1989.

Keywords

Armed Force Military Service German Democratic Republic National People Folk Culture 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Copyright information

© The Author(s) 2017

Authors and Affiliations

  • Václav Šmidrkal
    • 1
  1. 1.Faculty of Social SciencesCharles UniversityPragueCzechia

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