Abstract
This brief coda considers the importance of extending the Romantic period beyond its traditional boundaries, and of expanding our idea of authorship to include creative excerpting and reprinting.
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Notes
- 1.
Vincent, Letter to Minniken, June 12, 1840, 1/1/28 Vincent Collection, Labour History Archive.
- 2.
Susan Wolfson, “50–50? Phone a Friend? Ask the Audience?: Speculating on a Romantic Century, 1750–1850,” European Romantic Review 11.1 (Winter 2000): 1–11; and William Galperin, “‘Let us not desert one another’: Jane Austen and the Romantic Century,” European Romantic Review 11.1 (Winter 2000): 35–45.
- 3.
Anne Mellor, “Women Writers in the Romantic Century, 1750–1850,” European Romantic Review 11.1 (Winter 2000): 21.
- 4.
Royden Harrison, Before the Socialists: Studies in Labour and Politics, 1861–1881 (London: Routledge & Kegan Paul, 1965), 9.
- 5.
“Rambles of Seven Co-operators,” The Co-operator: Monthly Journal of Co-operative Progress 12 (May 1861): 176. National Co-operative Archive, Manchester.
- 6.
“Rambles of Seven Co-operators,” 176.
- 7.
Poetry: Selected for the Use of Schools and Families from the Most Approved Authors, Ancient and Modern, ed. Anne Bowman (London: Routledge and Co., 1856), 242.
- 8.
See Marjorie Levinson’s The Romantic Fragment Poem: A Critique of Form (Chapel Hill: University of North Carolina Press, 1986) which notes the way the fragment “figures in our criticism as an exemplary Romantic expression” (6) and Alexander Regier’s Fracture and Fragmentation in British Romanticism (Cambridge: Cambridge University Press, 2010), on the way “fragmentation is central to Romanticism” (3).
- 9.
Levinson, Romantic Fragment Poem, 17–18.
- 10.
“Yew-Trees,” Poems in Two Volumes. The Cornell Wordsworth, 605–606, 664–671.
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LeGette, C. (2017). Coda. In: Remaking Romanticism. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-46929-4_6
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DOI: https://doi.org/10.1007/978-3-319-46929-4_6
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