Skip to main content

The Codification of Vernacular Theories of Metallic Generation in Sixteenth-Century European Mining and Metalworking

  • Chapter
  • First Online:
The Structures of Practical Knowledge

Abstract

This essay explores a number of structuring frameworks for the practical knowledge of mining and metalworking, including the place and economic structures of material production in mining, the entanglement of the human body with matter in the landscape, and the constraining and affording properties of the materials themselves. Larger belief and knowledge systems, such as understandings about the relationship of earth and the heavens, as well as analogies to the human body and its processes, also structured practices and practical knowledge. Objects, too, could structure and reinforce practical knowledge systems.

The essay then turns to case studies that demonstrate the structures of practical knowledge formed by a vernacular knowledge system emerging from the complex of activities and practices that made up mining. This knowledge system was shaped by the methods of prospecting for ores, as well as by strong interest in a theory of the genesis of metals on the part of civic, territorial, and economic stakeholders. The essay ends by examining the codification of these vernacular “theories” in the books of scholars, where they found their way into the growing discourse of experimental philosophy (an increasingly powerful structuring framework over the course of the early modern period), and from there into modern science.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 149.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 199.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 199.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Agricola, Georgius. 1955a. Bermannus, sive de re metallica. Basel: Froben, 1530. Trans. Helmut Wilsdorf. Berlin: VEB Deutscher Verlag der Wissenschaften.

    Google Scholar 

  • Agricola, Georgius. 1955b. De natura fossilium. Ed. and Trans. Mark Chance Bandy and Jean A. Bandy. New York: Geological Society of America.

    Google Scholar 

  • Agricola, Georgius. 1956. De ortu et causis subterraneorum libri V. Froben, 1544; republ. 1555. Ausgewählte Werke. Trans. Georg Fraustadt and Hans Prescher. Berlin: VEB Deutscher Verlag der Wissenschaften.

    Google Scholar 

  • Agricola, Georgius. 1961. De animantibus subterraneis liber. Basel: Froben, 1549, revised 1556. Ausgewählte Werke. Trans. Georg Fraustadt and Rolf Hertel. Berlin: VEB Deutscher Verlag der Wissenschaften.

    Google Scholar 

  • Alfonso-Goldfarb, Ana Maria, and Marcia H.M. Ferraz. 2013. Gur, Ghur, Guhr or Bur? The quest for a metalliferous prime matter in early modern times. The British Journal for the History of Science 46: 23–37.

    Article  Google Scholar 

  • Anon. 1535. Kunstbüchlin gerechten gründlichen gebrauches aller kunstbaren Werckleüt. Augsburg: Heinrich Steyner.

    Google Scholar 

  • Anon. [Ulrich Rülein von Calw]. 1505. Ain wolgeordnetβ unnd nuetzlichs Büchlin wie man bergwerck süchen und erfinden sol [Das Bergbüchlein]. Augsburg: Erhart Ratdoldt. Gallica, Bibliothèque nationale de France: https://patrimoine.mines-paristech.fr/document/Bergbuchlein Accessed 31 May 2016.

  • Bartels, Christoph, Andreas Bingener, and Rainer Slotta. 2006. “1556 Perkwerch etc.” Das Schwazer Bergbuch, vol. 1–3. Bochum: Deutsches Bergbau-Museum Bochum.

    Google Scholar 

  • Bartl, Anna, Christoph Krekel, Manfred Lautenschalger, and Doris Oltrogge. 2005. Der “Liber illuministarum” aus Kloster Tegernsee. Stuttgart: Franz Steiner Verlag.

    Google Scholar 

  • Bewer, Francesca G. 2001. The sculpture of Adriaen de Vries: A technical study. In Small bronzes in the Renaissance, ed. Debra Pincus, 159–193. Washington, DC: Center for Advanced Study in the Visual Arts.

    Google Scholar 

  • Bimbenet-Privat, Michèle, and Alexis Kugel. 2007. La Daphné d’argent et de corail par Wenzel Jamnitzer au musée national de la Renaissance. La Revue du Louvre et des musées de France 4: 62–74.

    Google Scholar 

  • Biringuccio, Vannoccio. 1943. The Pirotechnia. Trans. Cyril Stanley Smith and Martha Teach Gnudi. New York: Basic Books.

    Google Scholar 

  • Cellini, Benvenuto. 2005. Traktate über die Goldschmiedekunst und die Bildhauerei (I Trattati dell’oreficeria e della scultura di Benvenuto Cellini). Trans. Ruth and Max Fröhlich, als Werkstattbuch kommentiert und heraugegeben von Erhard Brepohl. Cologne/Weimar/Vienna: Böhlau Verlag

    Google Scholar 

  • Cole, Michael W. 1999. Cellini’s blood. The Art Bulletin 81 (2): 215–235.

    Article  Google Scholar 

  • Cole, Michael W. 2002. Cellini and the principles of sculpture. Cambridge: Cambridge University Press.

    Google Scholar 

  • Cole, Michael W. 2003. The Medici Mercury and the breath of bronze. In Large bronzes in the Renaissance, ed. Peta Motture, 129–153. Washington, DC/New Haven: National Gallery of Art/Yale University Press.

    Google Scholar 

  • Dym, Warren Alexander. 2006. Mineral fumes and mining spirits: Popular culture in the Sarepta of Johann Mathesius (1504–1565). Renaissance and Reformation Review 8: 161–185.

    Article  Google Scholar 

  • Dym, Warren Alexander. 2010. Divining science: Treasure hunting and earth science in early modern Germany. Leiden: Brill.

    Book  Google Scholar 

  • Grasskamp, Anna. 2013. Metamorphose in Rot. Die Inzenierung von Korallen-fragmenten in Kunstkammern des 16. und 17. Jahrhunderts. In Metamorphosen, a special issue of Tierstudien, eds. Jessica Ullrich and Antonia Ulrich, 4: 13–24.

    Google Scholar 

  • H. G. ca. 1604. The Goldsmith’s Storehouse. V.a. 179. Folger Shakespeare Library. http://luna.folger.edu/luna/servlet/detail/FOLGERCM1~6~6~828866~154160:The-goldsmiths-storehouse--manuscri. Accessed 31 May 2016.

  • Haug, Henrike. 2012. ‘Wünderbarliche Gewechse:’ Bergbau und Goldschmeidekunst in 16. Jahrhundert. Kritische Berichte 3: 49–63.

    Google Scholar 

  • Haug, Henrike. 2014. Artificial interventions in the natural form of things: Shared metallogenetical concepts of Goldsmiths and Alchemists. In Laboratories of art: Alchemy and art technology from antiquity to the eighteenth century, ed. Sven Dupré, 79–103. New York: Springer.

    Chapter  Google Scholar 

  • Hermens, Erma. 2013. The botteghe degli artisti: Artistic enterprise at the della Rovere and Medici courts in the late sixteenth century. In The Renaissance workshop, ed. David Saunders, Marika Spring, and Andrew Meek, 105–113. London: Archetype.

    Google Scholar 

  • Huber, Peter. 1995. Die schöneste Stuffe: Handsteine aus fünf Jahrhunderten. ExtraLapis 8: 58–67.

    Google Scholar 

  • Jonstonus, Joannes. 1657. A history of the wonderful things of nature. London: John Streater.

    Google Scholar 

  • Kieffer, Fanny. 2014. The laboratories of art and Alchemy at the Uffizi gallery in renaissance Florence: Some material aspects. In Laboratories of art: Alchemy and art technology from antiquity to the 18th century, ed. Sven Dupré, 105–127. New York: Springer.

    Chapter  Google Scholar 

  • Kirnbauer, Franz. 1961. Speculum metallorum 1575. Wien: Montan-Verlag.

    Google Scholar 

  • Krekel, Christoph, and Manfred Lautenschlager. 2005. Bearbeitung von Glas, Edelstein, Bein und Horn. In Der “Liber illuministarum” aus Kloster Tegernsee, ed. Anna Bartl, Christoph Krekel, Manfred Lautenschalger, and Doris Oltrogge, 673–678. Stuttgart: Franz Steiner Verlag.

    Google Scholar 

  • Lechtman, Heather. 1999. Afterword. In The social dynamics of technology: Practice, politics, and world views, ed. Marcia-Anne Dobres and Christopher R. Hoffman, 223–232. Washington/London: Smithsonian Institution Press.

    Google Scholar 

  • Lehmann, Ann-Sophie. 2009. Wedging, throwing, dipping and dragging – How motions, tools and materials make art. In Folded stones, ed. Barbara Baert and Trees de Mits, 41–60. Ghent: Institute for Practice-Based Research in the Arts.

    Google Scholar 

  • Lehmann, Ann-Sophie. 2012. How materials make meaning. Netherlands Yearbook for History of Art 62 (1): 6–26.

    Google Scholar 

  • Mathesius, Johannes. 1562. Sarepta oder Bergpostill. Nuremberg: Johann von Berg and Ulrich Neuber.

    Google Scholar 

  • Nef, Jon U. 1987. Mining and metallurgy in medieval civilisation. In The Cambridge economic history of Europe. Vol. 2: Trade and industry in the middle ages, 2nd ed, ed. M.M. Postan and Edward Miller, 691–761. Cambridge: Cambridge University Press.

    Google Scholar 

  • Newman, William R. 2007. Newton’s theory of metallic generation in the previously neglected text ‘Humores minerales continuo decidunt.’ In Chymists and chymistry. Studies in the history of alchemy and early modern chemistry, ed. Lawrence M. Principe, 89–99. Sagamore Beach: Watson Publishing International.

    Google Scholar 

  • Piccolpasso, Cipriano. 1980. The three books of the potter’s art (ca. 1558), 2 vols. Trans. Ronald Lightbown and Alan Caiger-Smith. London: Scholar Press.

    Google Scholar 

  • Pieper, Wilhelm. 1955. Ulrich Rülein von Calw und sein Bergbüchlein, Freiberger Forschungshefte. Berlin – Ost: Akademie Verlag.

    Google Scholar 

  • Polanyi, Michael. 1998. Personal knowledge: Towards a post-critical philosophy (1962) reprinted. London: Routledge.

    Google Scholar 

  • Powers, John. 2007. Scrutinizing the Alchemists: Herman Boerhaave and the testing of chymistry. In Chymists and chymistry: Studies in the history of alchemy and early modern chemistry, ed. Lawrence M. Principe, 227–238. Sagamore Beach: Science History Publications.

    Google Scholar 

  • Pye, David. 1968. The nature and art of workmanship. Cambridge: Cambridge University Press.

    Google Scholar 

  • Roos, Anna Marie. 2007. The salt of the earth: Natural philosophy, medicine, and chymistry in England, 1650–1750. Leiden: Brill.

    Book  Google Scholar 

  • Roy, Ashok, Lorne Campbell, and Susan Foister. 1997. The materials and technique of five paintings by Rogier van der Weyden and his workshop. National Gallery Technical Bulletin 18: 68–86.

    Google Scholar 

  • Schreiber, Georg. 1962. Der Bergbau in Geschichte, Ethos und Sakralkultur, Wissenschaftliche Abhundlungen der Arbeitsgemeinschaft für Forschung des Landes Nordrhein-Westfalen, 21. Cologne/Opladen: Westdeutscher Verlag.

    Google Scholar 

  • Sisco, Anneliese Grünhaldt, and Cyril Stanley Smith. 1949. Bergwerk- und Probierbüchlein; a Translation from the German of the Bergbüchlein, a sixteenth-century book on mining geology, by Anneliese Grünhaldt Sisco; and of the Probierbüchlein, a sixteenth-century work on assaying. New York: American Institute of Mining and Metallurgical Engineers.

    Google Scholar 

  • Slotta, Rainer, Christoph Bartel, Mitarbeit von Heinz Pollmann, and Martin Lochert. 1990. Meisterwerke bergbaulicher Kunst vom 13. bis 19. Jahrhundert. Katalog zur Ausstellung des Deutschen Bergbau-Museums Bochums und des Kreises Unna auf Schloß Cappenberg vom 6.9.–4.11.1990. Bochum: Selbstverlag des Deutschen Bergbau-Museums.

    Google Scholar 

  • Smith, Pamela H. 2010. Vermilion, mercury, blood, and lizards: Matter and meaning in metalworking. In Materials and expertise in early modern Europe: Between market and laboratory, ed. Ursula Klein and Emma Spary, 29–49. Chicago: University of Chicago Press.

    Chapter  Google Scholar 

  • Smith, Pamela H. 2011. Science. In A concise companion to history, ed. Ulinka Rublack, 268–297. Oxford: Oxford University Press.

    Google Scholar 

  • Smith, Pamela H. 2014a. Making as knowing: Craft as natural philosophy. In Ways of making and knowing: The material culture of empirical knowledge, ed. Pamela H. Smith, Amy R.W. Meyers, and Harold J. Cook, 17–47. New York/Ann Arbor: Bard Graduate Center/University of Michigan Press.

    Google Scholar 

  • Smith, Pamela H. 2014b. Between nature and art: Casting from life in sixteenth-century Europe. In Making and growing: Anthropological studies of organisms and artefacts, ed. Elizabeth Hallam and Tim Ingold, 45–63. Farnham: Ashgate Publishing.

    Google Scholar 

  • Smith, Pamela H. 2015. The matter of ideas in the working of metals in early modern Europe. In The matter of art: Materials, practices, cultural logics, c. 1250–1750, ed. Christy Anderson, Anne Dunlop, and Pamela H. Smith, 42–67. Manchester: Manchester University Press.

    Google Scholar 

  • Von Hohenheim, Theophrastus (Parcelsus). 1941. On the miners’ sickness and other miners’ diseases. Trans. George Rosen. In Four treatises of Theophrastus von Hohenheim called Paracelsus, ed. Henry E. Sigerist. Baltimore: The Johns Hopkins University Press.

    Google Scholar 

  • Webster, Charles. 1982. Paracelsus and Demons: Science as a synthesis of popular belief. In Scienze, credenze occulte, livelli di cultura, 3–20. Florence: Leo S. Olschki.

    Google Scholar 

  • Werrett, Simon. 2009. Fireworks: Pyrotechnic arts and science in European history. Chicago: University of Chicago Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Pamela H. Smith .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer International Publishing Switzerland

About this chapter

Cite this chapter

Smith, P.H. (2017). The Codification of Vernacular Theories of Metallic Generation in Sixteenth-Century European Mining and Metalworking. In: Valleriani, M. (eds) The Structures of Practical Knowledge. Springer, Cham. https://doi.org/10.1007/978-3-319-45671-3_14

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-45671-3_14

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-45670-6

  • Online ISBN: 978-3-319-45671-3

  • eBook Packages: HistoryHistory (R0)

Publish with us

Policies and ethics