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In the seminal , Ian Quinn tries to define a ‘landscape of chords’ starting from cultural/intuitive knowledge of the most ‘salient’ chords, and from there infers in a prodigious leap of intuition the existence of a measurable ‘chord quality’, or saliency, maximal for the prototypical chords.
KeywordsGenerate Scale Regular Polygon Arithmetic Sequence Tone Scale Golomb Ruler
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