Summary
In the seminal [72], Ian Quinn tries to define a ‘landscape of chords’ starting from cultural/intuitive knowledge of the most ‘salient’ chords, and from there infers in a prodigious leap of intuition the existence of a measurable ‘chord quality’, or saliency, maximal for the prototypical chords.
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© 2016 Springer International Publishing Switzerland
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Amiot, E. (2016). Saliency. In: Music Through Fourier Space. Computational Music Science. Springer, Cham. https://doi.org/10.1007/978-3-319-45581-5_4
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DOI: https://doi.org/10.1007/978-3-319-45581-5_4
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