Abstract
Journeys across Latin America inevitably engage with the history of the Conquest (1492), often presented as modernity’s dramatic entrance into Latin America. These “continental road movies” present a counter-conquest dimension through references to the disappeared (or marginalized) indigenous communities. At the same time, they participate in early modernity’s sense of discovery and exploration. Both ideas converge in the centrality of the road as a space of encounter with “the other.” The chapter examines how this space is articulated in three films, corresponding to three narrative models: the exploration (W. Salles, Diarios de motocicleta 2004), the search (F. Solanas, El viaje 1994), and the flight (J. Meerapfel, Amigomío 1995). The readings show that continental journeys either construct or deconstruct a sense of transnational unity.
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Lie, N. (2017). Traveling Across Latin America. In: The Latin American (Counter-) Road Movie and Ambivalent Modernity. New Directions in Latino American Cultures. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-45138-1_2
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DOI: https://doi.org/10.1007/978-3-319-45138-1_2
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