Abstract
This article aims to demonstrate the relationship between language and thought in the eastern culture. Given this relationship, it should examine how ideogrammatic writing influences the visual identity of Japanese packaging. The objective of this research is to identify the relationship between ideographic writing and the visual identity of Japanese packaging. It also try to determine at which level and aspect, the ideogrammatic language affects favorably or prejudice the design and the visual identity of the packaging of a product. This characteristic includes concepts of emotional and affective design and the messages they can transfer to the users. Established this association, it should consider how the diagrammatic writing influences the visual identity of the Japanese packaging.
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Notes
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Benjamin Lee Whorf, “Science and Linguistics”, Language in Actio—Hayakawa, pp. 311–313, New York (1941).
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Acknowledgments
The authors want to thank the support for this research afforded by the Foundation for Support of Research of the State of São Paulo—FAPESP—by process 2014/19854-2, and Coordination of Improvement of Higher Level Personnel—CAPES, who provided conditions to assist the research, although they may not agree with all of the interpretations or conclusions of this paper.
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Mercaldi, M., Barcellos, E.E.I., Paschoarelli, L.C., Botura, G. (2017). Japanese Packaging Design: An Approach Through Ideogram Language. In: Chung, W., Shin, C. (eds) Advances in Affective and Pleasurable Design . Advances in Intelligent Systems and Computing, vol 483. Springer, Cham. https://doi.org/10.1007/978-3-319-41661-8_43
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DOI: https://doi.org/10.1007/978-3-319-41661-8_43
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