Abstract
Today, production expenses in Hollywood have gone through the roof, and yet the demand for escapism remains as strong as ever. For the movies thrive on such fantasies—whether large-scale disaster films, or smaller scale, more opportunistic work. Some people get into the movie business because they have a passion for film. But as mainstream films become ever more expensive, routinely costing $100,000,000 or more simply to produce, it seems that the old system of making movies is broken. A relatively new studio in Hollywood, The Asylum, is dedicated to doing just that; giving the viewer something the majors won’t. Something like Sharknado (2013). This chapter examines The Asylum’s relentless output of genre films and other cinematic outliers that challenge mainstream cinema.
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Dixon, W.W. (2016). The New Hollywood Economy. In: Hollywood in Crisis or: The Collapse of the Real. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-40481-3_3
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DOI: https://doi.org/10.1007/978-3-319-40481-3_3
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Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-40480-6
Online ISBN: 978-3-319-40481-3
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