Abstract
The realities of practice can prove extremely challenging for some artists and can lead to issues of health, safety and wellbeing. The realities discussed in this chapter include the relevance of image and branding, the significance of a support network, contractual obligations and fiduciary aspects of associated individuals or organisations. It is essential to identify and discuss the realities of practice so that consideration may be given as to how these issues might be addressed in both practice and in education. The chapter concludes with considerations for career sustainability.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Australian Government. (2013). Strategic research priorities. Canberra: Common-wealth of Australia.
Barlow, C. (2010). Potential hazard of hearing damage to students in undergraduate popular music courses. Medical Problems of Performing Artists, 25(4), 175.
Burrows, M. (2016). The long, hard road to rock’n’roll success: ‘We’re essentially skint’. Guardian News and Media Limited [Online]. Retrieved February 2, 2016, from http://www.theguardian.com/business/2016/jan/30/rocknroll-stardom-live-music-struggling-bands-slow-club-brawlers
Carter, L. (2016). Rapper 360’s codeine addiction admission prompts calls for stricter regulations on over-the-counter medications. ABC News [Online]. Retrieved January 27, 2016, from http://www.abc.net.au/news/2016-01-11/360-rapper-becomes-face-of-codeine-addiction-calls-regulation/7080192
Childers, C. (2013). Emmure frontman Frankie Palmeri electrocuted during performance in Moscow. Loudwire. Retrieved March 1, 2016, from http://loudwire.com/emmure-frankie-palmeri-electrocuted/
Cloonan, M. (2011). Researching live music: Some thoughts on policy implications. International Journal of Cultural Policy, 17(4), 405–442.
Cloonan, M. (2014). Musicians as workers: Putting the UK musicians’ union in to context. MusiCultures, 41(1), 10–29.
Crabtree, J., & Crabtree, J. (2011). Living with a creative mind. Sydney: Zebra Collective.
Csikszentmihalyi, M. (1996). Creativity: Flow and the psychology of discovery and invention. New York: Harper Perennial.
Dobson, M. C. (2011). Insecurity, professional sociability, and alcohol: Young freelance musicians. Psychology of Music, 39(2), 240–260.
Drus, M., Kozbelt, A., & Hughes, R. (2014). Creativity, psychopathology, and emotion processing: A liberal response bias for remembering negative information is associated with higher creativity. Creativity Research Journal, 26(3), 251–262.
Dunn, J. (2015). ‘I didn’t ruin Amy’: Blake Fielder claims he wasn’t responsible for early death of tragic singer Amy Winehouse. Daily Mail [Online]. Retrieved January 11, 2016, from http://www.dailymail.co.uk/news/article-3132487/I-didn-t-ruin-Amy-Drug-addict-former-husband-tragic-singer-Amy-Winehouse-claims-wasn-t-responsible-early-death.html
Edmonds, L. (2014). Guitarist who suffered horrific burns after he was ELECTROCUTED for two minutes as he sound-checked for ferry gig wins £6,400 compensation. Daily Mail. Retrieved June 13, 2014, from http://www.dailymail.co.uk/news/article-2557721/Guitarist-suffered…-two-minutes-sound-checked-ferry-gig-wins-6-400-compensation.html
Grönberg, R., (2010). Comparing Finnish and British live music event health and safety culture: A perspective to the legislations and prevailing practices. Thesis for degree programme in Music and Media Management, Jamk University of Applied Sciences.
Hall, R. (2014). The future of popular music education: What voice can education have? [Paper Presentation]. Association for Popular Music Education [APME] Conference, presentation, 20 June, 2014, University of Southern California, Los Angeles, US.
Hesmondhalgh, D., & Baker, S. (2011). Creative labour: Media work in three cultural industries. London: Routledge.
Homan, S., Cloonan, M., & Cattermole, J. (2015). Popular music and cultural policy. Abingdon, UK/New York: Routledge.
Homan, S., Cloonan, M., & Cattermole, J. (2016). Popular music and the state: Policy notes. London, UK/New York: Routledge.
Hughes, D., Keith, S., Morrow, G., Evans, M., & Crowdy, D. (2013). What constitutes artist success in the Australian music industries? International Journal of Music Business Research, 2(2), 61–80.
Hughes, D., Evans, M., Keith, S., & Morrow, G. (2014). A ‘duty of care’ and the professional musician/artist. In G. Carruthers (Ed.), Proceedings of the commission for the education of the professional musician (CEPROM) (pp. 31–41). Brazil: Belo Horizonte.
IFPI (International Federation of Phonographic Industry). (2014). Recording industry numbers: The recorded music market in 2013. London, UK: Deloitte.
Johnson, B., & Homan, S. (2002). Vanishing acts: An inquiry into the state of live popular music opportunities in New South Wales. Sydney: Australia Council and the NSW Ministry for the Arts.
Kenny, D. T. (2014a). The 27 club is a myth: 56 is the bum note for musicians. The Conversation. Retrieved January 9, 2016, from https://theconversation.com/the-27-club-is-a-myth-56-is-the-bum-note-for-musicians-33586
Kenny, D. T. (2014b). Stairway to hell: Life and death in the pop music industry. The Conversation. Retrieved January 9, 2016, from http://theconversation.com/stairway-to-hell-life-and-death-in-the-pop-music-industry-32735
Kenny, D. T. (2015). Music to die for: How genre affects popular musicians’ life expectancy. The Conversation. Retrieved January 9, 2016, from http://theconversation.com/music-to-die-for-how-genre-affects-popular-musicians-life-expectancy-36660
Littlewood, M. (2013). The truth about Van Halen’s M&M rider – Just good operations [uploaded August 7, 2013]. Retrieved October 14, 2013, at http://businessofsoftware.org/2013/08/the-truth-about-van-halens-mm-rider-just-good-operations/
Madden, C., & Bloom, T. (2004). Creativity, health and arts advocacy. International Journal of Cultural Policy, 10(2), 133–156.
McGuigan, J. (2010). Creative labour, cultural work and individualisation. International Journal of Cultural Policy, 16(3), 323–335.
McMillen, A. (2014). Talking Smack: Honest Conversations about Drugs. Queensland, Australia: University of Queensland Press.
Morrow, G. (2006). Managerial creativity: A study of artist management practices in the Australian popular music industry. Unpublished PhD thesis, Macquarie University, Sydney, Australia.
Oh, M. (2002). Bobby Brown arrested For drug possession, speeding. MTV.com. Retrieved January 10, 2016, from http://www.mtv.com/news/1458561/bobby-brown-arrested-for-drug-possession-speeding/
Papageorgi, I., Creech, A., & Welch, G. (2013). Perceived performance anxiety in advanced musicians specializing in different musical genres. Psychology of Music, 41, 18–41.
Resnikoff, P. (2013). 16 artists that are now speaking out against streaming…Digital Music News. Retrieved January 11, 2016, from http://www.digitalmusicnews.com/2013/12/02/artistspiracy/
Schink, T., Kreutz, G., Busch, V., Pigeot, I., & Ahrens, W. (2014). Incidence and relative risk of hearing disorders in professional musicians. Occupational and Environmental Medicine, 71, 472–476.
Seligman, M. (2011). Flourish: A visionary new understanding of happiness and well-being. New York: Free Press.
Simpson, S., & Munro, J. (2012). Music business. London, UK: Omnibus Press.
Smith, G. (2013). Seeking ‘success’ in popular music. Music Education Research International, 6, 26–37.
Stahl, M. (2013). Unfree masters: Recording artists and the politics of work. Durham, NC/London, UK: Duke University Press.
Strang, F. (2013). ‘Don’t let the music business make a prostitute of you’: Sinead O’Connor’s open letter to Miley Cyrus after she’s inspired by her Nothing Compares 2 U video. Daily Mail [Online]. Retrieved January 23, 2016, from http://www.dailymail.co.uk/tvshowbiz/article-2442321/Sinead-OConnor-Miley-Cyrus-Dont-let-music-business-make-prostitute-you.html
Support Act. (2016). Retrieved February 26, 2016 from http://supportact.org.au/
Throsby, D., & Zednik, A. (2010). Do you really expect to get paid? An economic study of professional artists in Australia. Melbourne: Australia Council for the Arts.
United Nations. (2014). World Drug Report 2014. Vienna, Austria: United Nations Office on Drugs and Crime.
van den Eynde, J., Fisher, A., & Sonn, C. (2015). Working in the Australian entertainment industry. Phase 2: Executive summary. Melbourne, Victoria: Victoria University.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Hughes, D., Evans, M., Morrow, G., Keith, S. (2016). The Realities of Practice. In: The New Music Industries. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-40364-9_5
Download citation
DOI: https://doi.org/10.1007/978-3-319-40364-9_5
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-40363-2
Online ISBN: 978-3-319-40364-9
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)