Abstract
Waldrop’s poetics is one that pitches language against form, which she suspects of alliance with Romantic ideologies and stances, and of implying fixity (metrical form rather than active forming), but she nevertheless insists upon formal transformation, and one poem in prose from Blindsight is read in detail, particularly with respect to her uses and transformations of the work of Joseph Cornell, to whom it acts as homage. Cornell’s collages reach back to radical modernism. Her palimpsestic and collagic manner of textual appropriation is demonstrated to be a variety of what Waldrop does allow herself to call ‘wild form’.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Ashton, Dore. 1974. A Joseph Cornell Album. New York: The Viking Press.
Attridge, Derek. 2004a. The Singularity of Literature. London: Routledge.
———. 2004b. J.M. Coetzee & The Ethics of Reading: Literature in the Event. Chicago, IL: The University of Chicago Press.
Duffy, Nikolai. 2013. Relative Strangeness: Reading Rosmarie Waldrop. Bristol: Shearsman.
Heissenbüttel, Helmut. 1977. TEXTS. Trans. Michael Hamburger. London: Marion Boyars.
Hoover, Paul, ed. 1994. Postmodern American Poetry. New York: W.W. Norton.
Levertov, Denise. 1973. Some Notes on Organic Form. In The Poetics of the New American Poetry, eds. Donald Allen and Warren Tallman, 312–317. New York: Grove Press.
Reznikoff, Charles. 1965. Testimony: The United States 1885–1890: Recitative. New York: New Directions/San Francisco Review.
Rooney, Ellen. 2006. Form and Contentment. In Reading for Form, eds. Susan Wolfson and Marshall Brown, 25–48. Seattle: The University of Washington Press.
Schaffner, Ingrid. 2003. The Essential Joseph Cornell. New York: Harry N. Abrams.
Silliman, Ron. 1986. From The New Sentence. In In the American Tree, ed. Ron Silliman, 561–575. Orono, ME: The Foundation.
Waldrop, Rosmarie. 2005. Dissonance (If You Are Interested). Tuscalosa: The University of Alabama Press.
———. 2003. Blindsight. New York: New Directions.
———. 2006. Curves to the Apple. New York: New Directions.
Waldrop, Keith, and Rosmarie Waldrop. 2002. Ceci n’est pas Keith/ Ceci n’est pas Rosmarie. Providence: Burning Deck.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Sheppard, R. (2016). Rosmarie Waldrop: Poetics, Wild Forms, and Palimpsest Prose. In: The Meaning of Form in Contemporary Innovative Poetry. Modern and Contemporary Poetry and Poetics. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-34045-6_7
Download citation
DOI: https://doi.org/10.1007/978-3-319-34045-6_7
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-34044-9
Online ISBN: 978-3-319-34045-6
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)