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Why Philosophy Has Always Needed Cinema

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Abstract

AU: Please note that the chapter title is repeated. Consider revising to avoid repetition. Shamir introduces one of his key innovative concepts here, arguing that the pattern of using thought experiments throughout the history of philosophy points to an essential need within philosophy to think cinematically. What Shamir does is to upend what has been written on thought experiments and cinema so far. This provides the explanation for why philosophy has always needed cinema, thus allowing for the establishment of a firm relationship, based on necessity, between cinema and philosophy. Shamir goes on to argue that cinematic thought experiments, which are experienced onscreen, are dramatically different from traditional thought experiments, which take place in our imagination. This process begins to establish that the evolution of thought experiments as cinematic entities offers an unprecedented possibility for philosophy.

Keywords

Thought Experiment Geiger Counter Artistic Device Pictorial Illustration Narrative Detail 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Author(s) 2016

Authors and Affiliations

  1. 1.New YorkUSA

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