Abstract
Shamir articulates his unique method through an analysis of particular films to be included in the realm of cinematic philosophy, concentrating on the following: Blow-Up (Michelangelo Antonioni, 1966); Blade Runner (Ridley Scott, 2007); Shakespeare in Love (John Madden, 1998); F for Fake (Orson Welles, 1973); The Draughtsman’s Contract (Peter Greenaway, 1982); Sherlock Holmes (Guy Ritchie, 2009); The Conformist (Bernardo Bertolucci, 1970); The Life of David Gale (Alan Parker, 2003); Predestination (Michael and Peter Spierig, 2014); The Clock (Christian Marclay, 2011); X-Men: Days of Future Past (Bryan Singer, 2014); Shutter Island (Martin Scorsese, 2010); and JFK (Oliver Stone, 1991). Shamir also includes two of his own short films: Desert of the Real (Tal S. Shamir, 2010) and The Vermeers (Tal S. Shamir, 2011).
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Films & Artworks
Antonioni, M. (1966). Blow up. [Motion Picture].
Arntz, W, Chasse, B & Vicente, M. (2006). What the bleep!?: Down the rabbit hole. [Motion Picture].
Bernays, P. (2013). How Sherlock changed the world. [Motion Picture].
Bertolucci, B. (1970). The conformist. [Motion Picture].
Croce, J. (1972). Time in a bottle. From the album: You don’t mess around with Jim. [Song].
De Botton, A. (2000). Philosophy: A guide to happiness [TV mini-series]. Retrieved from: http://www.channel4.com/programmes/philosophy-a-guide-to-happiness/4od
Demme, J. (1991). The silence of the lambs. [Motion Picture].
Dick, K. & Ziering, A. (2002). Derrida. [Motion Picture].
Fiennes, S. (2006). The pervert’s guide to cinema. [Motion Picture].
Fiennes, S. (2013). The pervert’s guide to ideology. [Motion Picture].
Greenaway, P. (1982). The Draughtsman's contract. [Motion Picture].
Madden, J. (1998). Shakespeare in love. [Motion Picture].
Marclay, C. (2011). The Clock. [Video Installation].
Oreck, J. (2004). Return to the source-philosophy and the matrix. [Motion Picture].
Parker, A. (2003). The life of David Gale. [Motion Picture].
Ramis, H. (1993). Groundhog day. [Motion Picture].
Ramsey, M. (2008). The cave: An adaptation of Plato’s allegory in Clay. [Motion Picture]. Retrieved from: http://platosallegory.com/Default.aspx
Ritchie, G. (2009). Sherlock Holmes. [Motion Picture].
Scorsese, M. (2010). Shutter island. [Motion Picture].
Scott, R. [1982] (2007). Blade runner (Originally released on 1982, the film has a few different versions that came out in later years with additions that significantly affect the film, I will refer to what is know as ‘The Finial Cut’ released in 2007 by Warner Brothers.). [Motion Picture].
Shamir, S. T. (2010). Desert of the real. [Motion Picture].
Shamir, S.T. (2011). The Vermeers . [Motion Picture].
Singer, B. (2014). X-men: Days of future past. [Motion Picture].
Spierig Michael & Peter. (2014). Predestination. [Motion Picture].
Stone, O. (1991). JFK. [Motion Picture].
Taylor, A. (2008). Examined life. [Motion Picture].
The Wachowskis. (1999). The Matrix. [Motion Picture].
Welles, O. (1973). F for fake. [Motion Picture].
Wiene, R. (1920). The cabinet of Dr. Caligari. [Motion Picture].
Zick, J. (1785). Allegory of Newton’s service to optics. [Painting].
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Shamir, T.S. (2016). Cinematic Examples. In: Cinematic Philosophy. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-33473-8_10
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