Visible Technosexualities

Durham, Meenakshi Gigi

doi:10.1007/978-3-319-28142-1_2

Visible Technosexualities

Meenakshi Gigi Durham²

Chapter
First Online: 24 May 2016

339 Accesses

Abstract

The work of feminist filmmakers and artists has laid the groundwork for understanding the image–body–subject–text relationship. By interpreting the vision and political aims of cineastes and artists, I explicate the deployment of the female body as a socially coded “projection screen” and instrument of critique via mediated representation. Through the lens of feminist production and creative work, the body articulates a complex politics of visibility and vulnerability, where representations of embodiment can transform consciousness. This work emphasizes the idea that sexualities are realized at the juncture of the physical and the symbolic, and this conjoining is only exacerbated in the contemporary era, where it is crucial to recognize that our sexual subjectivities are at once produced and enabled in conjunction with representational technics.

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Notes

1.
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2.
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4.
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8.
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9.
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13.
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14.
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15.
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19.
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31.
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32.
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33.
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34.
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35.
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36.
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38.
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39.
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40.
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41.
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42.
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44.
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45.
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48.
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50.
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51.
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52.
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53.
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54.
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55.
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56.
Williams, ibid., p. 16.
57.
Catherine MacKinnon, Only Words (Cambridge, MA: Harvard University Press, 1993), p. 17.

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School of Journalism and Mass Communication, University of Iowa, Iowa City, Iowa, USA
Meenakshi Gigi Durham

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Durham, M.G. (2016). Visible Technosexualities. In: Technosex. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-28142-1_2

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DOI: https://doi.org/10.1007/978-3-319-28142-1_2
Published: 24 May 2016
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-28141-4
Online ISBN: 978-3-319-28142-1
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