Skip to main content

Automated Motivic Analysis: An Exhaustive Approach Based on Closed and Cyclic Pattern Mining in Multidimensional Parametric Spaces

  • Chapter
  • First Online:
Computational Music Analysis

Abstract

Motivic analysis provides very detailed understanding of musical compositions, but is also particularly difficult to formalize and systematize. A computational automation of the discovery of motivic patterns cannot be reduced to a mere extraction of all possible sequences of descriptions. The systematic approach inexorably leads to a proliferation of redundant structures that needs to be addressed properly. Global filtering techniques cause a drastic elimination of interesting structures that damages the quality of the analysis. On the other hand, a selection of closed patterns allows for lossless compression. The structural complexity resulting from successive repetitions of patterns can be controlled through a simple modelling of cycles. Generally, motivic patterns cannot always be defined solely as sequences of descriptions in a fixed set of dimensions: throughout the descriptions of the successive notes and intervals, various sets of musical parameters may be invoked. In this chapter, a method is presented that allows for these heterogeneous patterns to be discovered. Motivic repetition with local ornamentation is detected by reconstructing, on top of “surface-level” monodic voices, longer-term relations between non-adjacent notes related to deeper structures, and by tracking motives on the resulting syntagmatic network. These principles are integrated into a computational framework, the MiningSuite, developed in Matlab.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 119.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 159.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 159.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Bayardo, R. J. (1998). Efficiently mining long patterns from databases. In Proceedings of the 1998 ACM SIGMOD International Conference on Management of data (SIGMOD ‘98), pages 85-93.

    Google Scholar 

  • Bruhn, S. (1993). J. S. Bach’s Well-Tempered Clavier: In-Depth Analysis and Interpretation. Mainer International.

    Google Scholar 

  • Cambouropoulos, E. (1998). Towards a general computational theory of musical structure. PhD thesis, University of Edinburgh.

    Google Scholar 

  • Cambouropoulos, E. (2006). Musical parallelism and melodic segmentation: A computational approach. Music Perception, 23(3):249-268.

    Google Scholar 

  • Collins, T. (2014). MIREX 2014: Discovery of repeated themes and sections. http://www.music-ir.org/mirex.

  • Conklin, D. and Anagnostopoulou, C. (2001). Representation and discovery of multiple viewpoint patterns. In Proceedings of the International Computer Music Conference (ICMC2001), pages 479-485, Havana, Cuba.

    Google Scholar 

  • Conklin, D. and Bergeron, M. (2008). Feature set patterns in music. Computer Music Journal, 32(1):60-70.

    Google Scholar 

  • de Saussure, F. (1916). Cours de linguistique générale. Payot.

    Google Scholar 

  • Lartillot, O. (2005). Multi-dimensional motivic pattern extraction founded on adaptive redundancy filtering. Journal of New Music Research, 34(4):375-393.

    Google Scholar 

  • Lartillot, O. (2009). Taxonomic categorisation of motivic patterns. Musicae Scientiae, Discussion Forum 4(B):25-46.

    Google Scholar 

  • Lartillot, O. (2014a). In-depth motivic analysis based on multiparametric closed pattern and cyclic sequence mining. In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2014), pages 361-366, Taipei, Taiwan.

    Google Scholar 

  • Lartillot, O. (2014b). An integrative computational modelling of music structure apprehension. In Proceedings of the International Conference on Music Perception and Cognition (ICMPC 2014), pages 80-86, Seoul, South Korea.

    Google Scholar 

  • Lartillot, O. (2015). Miningsuite. https://code.google.com/p/miningsuite.

  • Lerdahl, F. and Jackendoff, R. (1983). A Generative Theory of Tonal Music. MIT Press.

    Google Scholar 

  • Meredith, D. (2013). COSIATEC and SIATECCompress: Pattern discovery by geometric compression. In MIREX 2013 (Competition on Discovery of Repeated Themes & Sections). Available online at http://www.titanmusic.com/papers/public/MeredithMIREX2013.pdf.

  • Meredith, D., Lemstrom, K., and Wiggins, G. A. (2002). Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music. Journal of New Music Research, 31(4):321-345.

    Google Scholar 

  • Nattiez, J.-J. (1990). Music and discourse: Toward a semiology of music. Princeton University Press.

    Google Scholar 

  • Pasquier, N., Bastide, Y., Taouil, R., and Lakhal, L. (1999). Efficient mining of associative rules using closed itemset lattices. Information Systems, 24(1):25-46.

    Google Scholar 

  • Restle, F. (1970). Theory of serial pattern learning: structural trees. Psychological Review, 77(6):481-495.

    Google Scholar 

  • Rolland, P.-Y. (1999). Discovering patterns in musical sequences. Journal of New Music Research, 28(4):334-350.

    Google Scholar 

  • Ruwet, N. (1987). Methods of analysis in musicology. Music Analysis, 6(1-2):11-36.

    Google Scholar 

  • Simon, H. A. (1972). Complexity and the representation of patterned sequences of symbols. Psychological Review, 79(5):369-382.

    Google Scholar 

  • Tenney, J. and Polansky, L. (1980). Temporal gestalt perception in music. Journal of Music Theory, 24(2):205-241.

    Google Scholar 

  • Velarde, G. and Meredith, D. (2014). A wavelet-based approach to the discovery of themes and sections in monophonic melodies. In Music Information Retrieval Evaluation Exchange (MIREX 2014), Competition on Discovery of Repeated Themes and Sections, Taipei, Taiwan.

    Google Scholar 

  • Wang, J., Han, J., and Li., C. (2007). Frequent closed sequence mining without candidate maintenance. IEEE Transactions on Knowledge and Data Engineering, 19(8):1042–1056.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Olivier Lartillot .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2016 Springer International Publishing Switzerland

About this chapter

Cite this chapter

Lartillot, O. (2016). Automated Motivic Analysis: An Exhaustive Approach Based on Closed and Cyclic Pattern Mining in Multidimensional Parametric Spaces. In: Meredith, D. (eds) Computational Music Analysis. Springer, Cham. https://doi.org/10.1007/978-3-319-25931-4_11

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-25931-4_11

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-25929-1

  • Online ISBN: 978-3-319-25931-4

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics