Abstract
For centuries, various essays have been written that attempted to devise a proper notation for recording dance practices and aimed at preserving them as an artistic heritage. With the increasing interest in human behaviour over the XX century, new trials were proposed to solve the recording of human movements, generally speaking, versus specific dance events. Among these various systems, the so-called «Kinetography Laban/Labanotation», invented by Rudolf Laban (a prominent figure of modern dance in Europe) offers a solution, which will be briefly exposed: built primarily on human behavior in its «ordinary» motion, a natural way, the notion of encompassing space, body and time elements simultaneously is at the heart of its conception. This notation tries to enhance the very basic notion of changing processes as opposed to position writing. Until now it has been widely used mostly in theatrical dance fields as a means of building a dance literature as well as preserving ethnic dances, but also as a tool for research and creation in dance. Its simple but broad basis definitely offers a possible development in many other research domains.
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Historical Survey
Pierre Conté, Écriture, Arts et Mouvement, Paris (1931)
Noa Eshkol with Michal Shoshnani and Moody Dagan, Movement Notations, a comparativ study of Labanotation (Kinetography Laban) and Eshkol-Wachman Movement Notation The Movement Notation Society, Tel Aviv (1979)
Raoul-Auger Feuillet, L’Art de décrire la dance par signes démonstratifs…Paris, 1700.Ann Hutchinson, Dance Notation, the process of recording movement on paper, Dance Books, London (1984)
Eliane Mirzabekiantz, Grammaire de la notation Benesh, Centre national de la danse, Pantin (2000)
Michèle Nadal, Grammaire de la Notation Conté, Centre national de la danse, Pantin (2010)
Jean Tabourot (Toinot Arbeau), Orchésographie, Slatkine Reprints, Genève, (1970)
Kinetography Laban/Labanotation (textbooks)
Jacqueline Challet-Haas, Grammaire de la notation Laban, Cinétographie Laban, vol. 1–2, Centre national de la danse, Pantin 1999, vol. 3, Centre national de la danse, Pantin (2011)
Jacqueline Challet-Haas, La Symbolisation du Mouvement, issue de la Cinétographie Laban, Centre national de la danse, Pantin (2014)
Ann Hutchinson, Labanotation, Theatre Arts Book, 1954, Routledge/theatre Art Books, 4th edn. (2005)
Ann Hutchinson Guest, Your Move, a new approach to the study of movement and dance, Gordon and Breach Pub. 1983, 3rd edn. (1995)
Albrecht Knust, A Dictionary of Kinetography Laban/Labanotation, Plymouth, Mac Donald and Evans, 1979, Poznan, 2nd édn. 1997, french edition: Dictionnaire usuel de cinétographie Laban/Labanotation, Coeuvres-et-Valsery, Ressouvenances (2011)
Literature: Dance scores (theatre, folklore, ethnic dances)
Laban Notation Scores: An International Bibliography
Volume 1–4. Warner, Mary Jane with Frederick E. Warner and P. Megan Andrews Ed. ICKL, 1984–1999
Notated theatrical dances catalogue, Dance Notation Bureau (DNB), New-York
Catalogue des partitions des oeuvres chorégraphiques (notation du mouvement, système Laban), Médiathèque Hector Berlioz, Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP)
Collection de partitions chorégraphiques, Médiathèque, Centre national de la Danse (CND), Pantin/Paris
Education
«Écrire la danse, partager un langage» (an experience in a primary school realised by Bruno Blanche, school teacher and Hélène Leker, notator and dance teacher), DVD, Centre national de la Danse, (CND) (2007)
«La partition chorégraphique, outil de transmission, outil d’exploration», (a choregraphic score, tool for transmission, tool for exploration), Noëlle Simonet, Ed: Association Artdir; vol. 1: «Le croquis de parcours» (floor pattern), 2012, vol 2 : «Transferts et tours» (supports and turns) (2015)
«AcaJOUET», conception Delphine Demont, a tactile kit for blind people to learning movement issues through movement symbols, Ed. Society Standard non standard, 2008
Research/Anthropology
Jean-Michel Beaudet, Nous danserons jusqu’à l’aube : essai d’ethnologie mouvementée en Amazonie/: Ed. du comité des travaux historiques et scientifiques (2010)
DANCES STUDIES Collection since 1976 ed. by Roderyk Lange Centre for Dance Studies—Les Bois St. Peter Jersey C.I., transfered to Instytut Choreologi, Poznan, Poland
Farnell, Brenda, and Williams, Drid, The Laban Script: A Beginning Text on Movement Writing for Non-Dancers. Canberra: Australian Institute of Aboriginal Studies (1990)
Articles
Bertuzzi, Elena, Différentes modalités d’utilisation de la Cinétographie Laban en Ethnologie de la danse, ICTM (International Council Traditional Music) Cluj-Napoca (Roumanie), Actes du 24° Symposium ICTM (2006)
Bertuzzi, Elena, Les apports de la cinétographie Laban dans le processus de mémorisation de la danse à travers la partition—Actes du Colloque «Monaco Dance Forum», Nice (2007)
Bertuzzi, Elena, Oralité et écriture dans la transmission en danse—Actes du Colloque International «La recherche en danse entre France et Italie: Approches, méthodes et objets» Nice (2014)
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Challet-Haas, J. (2016). The Problem of Recording Human Motion. In: Laumond, JP., Abe, N. (eds) Dance Notations and Robot Motion. Springer Tracts in Advanced Robotics, vol 111. Springer, Cham. https://doi.org/10.1007/978-3-319-25739-6_4
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DOI: https://doi.org/10.1007/978-3-319-25739-6_4
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