Skip to main content

Three Cosmic Poets: Samuel Taylor Coleridge, Rabindranath Tagore and Ezenwa-Ohaeto, and Cosmic Nature of Imagination

  • Chapter
The Cosmos and the Creative Imagination

Part of the book series: Analecta Husserliana ((ANHU,volume 119))

  • 532 Accesses

Abstract

This is a comparative essay that tends to combine a theoretical approach and textual criticism in its investigation of the cosmic sensibilities of three “common-wealth” poets: Samuel Taylor Coleridge, a pre-eminent English Romantic poet; Rabindranath Tagore, Indian Nobel Laureate for literature and Renaissance poet; and Ezenwa-Ohaeto, a prominent Nigerian poet of the present generation. Their metaphysical, mythological and philosophical concerns are examined in a manner that reveals how their respective cosmic vision(s) of the poetical art elucidates the different layers of thematic thrusts in their poetry. The essay’s conclusion is that the three poets, in their respective poetical renderings, try to give value to human existence through the art, the poetry, of moral order.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    See J.A. Cuddon, The Penguin Dictionary of Literature Terms and Literary Theory, revised by C.E. Preston (London: Penguin Books Ltd, 1998), p. 767.

  2. 2.

    Ezenwa-Ohaeto is the only name of this Nigerian poet.

  3. 3.

    Some publications which dwell interestingly on Coleridge’s poetical, metaphysical, mythological, philosophical ideas and biographical/ historical attitudes include the following: J. Shawcross, “Introduction” and “Supplementary Note,” in S.T. Coleridge, Biographia Literaria (Edited by J. Shawcross), (Oxford: The Clarendon Press, 1907), pp. XI–LXXXIX and pp. XC–XCVII; Harold Bloom, The Best Poems of the English Language from Chaucer Through Frost (New York: HarperCollins Publishers, 2004), pp. 353–380 particularly; Antonella Riem Natale, The One Life: Coleridge and Hinduism (Jaipur: Rawat Publications, 2005).

  4. 4.

    Natale’s submission in this wise is intriguing. Any scholar who is interested in Coleridge’s Hindu quest needs to digest Natale’s study cited above.

References

  • Afejuku, Tony. 2011. “The poetry of Ezenwa-Ohaeto”. In From boom to doom: Protest and conflict resolution in the literature of the Niger Delta, ed. Chinyere Nwahunanya, 388–39. New Owerri: Springfield.

    Google Scholar 

  • Bloom, Harold. 2004. The best poems of the English language from Chaucer through Robert Frost. New York: Harper Collins.

    Google Scholar 

  • Chatterjee, Visvanath. 2004. “Tagore’s criticism: Creation within a creation”. In Indian literary criticism in English: Critics, texts, issues, ed. P.K. Rajan, 3–16. Jaipur/New Delhi: Rawat Publications.

    Google Scholar 

  • Coleridge, Samuel Taylor. 2005. “Kubla Khan” and “The rime of the ancient mariner.” In The Norton anthology of poetry, Shorter Fifth Edition, eds. Margaret Ferguson, Mary Jo Salter, and Jon Stallworthy, 486–505. New York: W.W. Norton.

    Google Scholar 

  • Cuddon, J.A., and Claire Preston (eds.). 1998. The Penguin dictionary of literary terms and theory. Revised edition. London: Penguin.

    Google Scholar 

  • Ezenwa-Ohaeto. 2003. The voice of the night masquerade. Ibadan: Krafts.

    Google Scholar 

  • Pandit, Lalita. 1997. Caste, race, and nation: History and dialectic in Rabindranath Tagore’s Gora. In Literary India: Comparative studies in aesthetics, colonialism and culture, ed. Patrick Colm Hogan and Lalita Pandit, 207–233. Jaipur/New Delhi: Rawat Publications.

    Google Scholar 

  • Tagore, Rabindranath. 2012. Gitanjali (1910;1912). New Delhi: Rupa Publications India.

    Google Scholar 

  • Tymieniecka, Anna-Teresa (ed.). 2007. “Editor’s introduction: Timing our life”. In Temporality in life as seen through literature: Contributions to phenomenology of life. Analecta Husserliana, vol. LXXXVI, xiii–xix. Dordrecht: Springer.

    Google Scholar 

  • Wordsworth, William. 2005. “The world is too much with us”. In The Norton anthology of poetry, Shorter Fifth Edition, eds. Margaret Ferguson, Mary Jo Salter, and Jon Stallworthy, 489. New York: W.W. Norton.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Tony E. Afejuku Ph.D., FLSN .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2016 Springer International Publishing Switzerland

About this chapter

Cite this chapter

Afejuku, T.E. (2016). Three Cosmic Poets: Samuel Taylor Coleridge, Rabindranath Tagore and Ezenwa-Ohaeto, and Cosmic Nature of Imagination. In: Tymieniecka, AT., Trutty-Coohill, P. (eds) The Cosmos and the Creative Imagination. Analecta Husserliana, vol 119. Springer, Cham. https://doi.org/10.1007/978-3-319-21792-5_22

Download citation

Publish with us

Policies and ethics