Skip to main content

Tacit Engagement: Betwixt and Inbetween

  • Chapter
Tacit Engagement
  • 677 Accesses

Abstract

This chapter brings the discussion from the previous four chapters together and develops it further. Firstly, it summarises what has been learned about the conception of an interactive and mediating interface, irrespective of specific contexts and technologies. The chapter ties together theory and practice across the various contexts to identify the foundational elements of a personal act of knowing within human relations. It looks to the future at what we need to consider as the foundations for human – technology relations for developing the relational interface, extending this discussion with fundamental philosophical and artistic questions being raised by the arts/performance arts about the relational in performance and human connectivity. A theoretical introduction is followed by a discussion of eight projects of artistic and design research, in which a new scientific paradigm is explored. The result is the formulation of the concept of ‘tacit engagement’.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    This concept of the relational although related, differs from that of ‘relational interaction’ (e.g. Breazeal and Picard 2009) where it denotes the relationships between people.

  2. 2.

    http://rhoadley.net/research/touching/index.php. See also Aaron et al. (2013).

  3. 3.

    http://www.media.mit.edu/research/groups/tangible-media

  4. 4.

    http://rhoadley.net/comp/fluxustree/

  5. 5.

    See chapter one for a fuller discussion.

  6. 6.

    Sha refers to Guattari’s work, Chaosmosis: an ethico-aesthetic paradigm (1992).

  7. 7.

    http://fo.am/

  8. 8.

    http://integratron.com/

  9. 9.

    http://tangible.media.mit.edu/project/transform/

References

  • Aaron, S., Barnard, P., Cross, I., Gill, S. P., Himberg, T., Hoadley, R., Odell-Miller, H., & Toulson, R. (2013). Touching sound: Vulnerability and synchronicity. In Proceedings of the CHI2013 workshop on designing for and with vulnerable people.

    Google Scholar 

  • Andersen, K., Jacobs, M., & Polazzi, L. (2002). Faraway. Interaction Design Institute Ivrea.

    Google Scholar 

  • Balmond, C. (2002). Informal. Munich: Prestel Verlag.

    Google Scholar 

  • Bergson. (1911). Creative evolution (trans: Mitchell, A.). New York: Dover.

    Google Scholar 

  • Boddington, G. (2012). Woven bodies, woven cultures. In S. Broadhurt & J. Machon (Eds.), Identify, performance and technology: Practices of empowerment, embodiment and technicity. New York: Palgrave Macmillan.

    Google Scholar 

  • Breazeal, C., & Picard, R. (2009). The role of emotion-inspired abilities in relational robots. In P. Parasuraman & M. Rizzo (Eds.), Neuroergonomics: The brain at work. Oxford: Oxford University Press.

    Google Scholar 

  • Buber, M. (1923). I and thou (trans: Smith, R. G.) (1958) New York: Charles Scribner’s Sons.

    Google Scholar 

  • Bunraku-Japanese-puppet-theatre. (2010). https://rakugoleon.wordpress.com/2010/11/04/day-19-文楽-bunraku-japanese-puppet-theatre/. Accessed on 20 Apr 2015.

  • Butler, M. (2012). Intimate strangers. In C. Nevejan (Ed.), Witnessing you. On trust and truth in a networked world. Participatory Systems Initiative (pp. 199–242). Delft: Delft University of Technology.

    Google Scholar 

  • Collins, H. H. (2013). Tacit and explicit knowledge. Chicago: University of Chicago Press.

    Google Scholar 

  • Cooley, M. J. E. (1987). Architect or bee? The human price of technology. London: Hogarth Press.

    Google Scholar 

  • Cooley, M. J. E. (2007). From judgement to calculation. AI & Society, 21(4), 395–409.

    Article  Google Scholar 

  • Cross, I. (2012). Music and communication in music psychology. Psychology of Music, 42(6), 809–819.

    Article  MathSciNet  Google Scholar 

  • Dourish, P. (2004). Where the action is. The foundations of embodied interaction. MIT Press (First paperback edition).

    Google Scholar 

  • Eco, U. (1976). A theory of semiotics. Bloomington: Indiana University Press.

    Google Scholar 

  • Fluxustree. (2009–2010). http://rhoadley.net/comp/fluxustree/ Automatic music for sculpture, dancer(s), instrument (‘cello) and computer.

  • Gaffney, N., & Kuzmanovic, M. (2013). Borrowed scenery: Cultivating an alternate reality. http://libarynth.org/parn/borrowed_scenery_cultivating_an_alternate_reality

  • Gill, S. P. (1995). Dialogue and tacit knowledge for knowledge transfer. PhD dissertation, University of Cambridge.

    Google Scholar 

  • Gill, K. S. (1996). Human machine symbiosis. London: Springer.

    Book  Google Scholar 

  • Gill, S. P., Kawamori, M., Katagiri, Y., & Shimojima, A. (2000). The role of body moves in dialogue. RASK, 12, 89–114.

    Google Scholar 

  • Göranzon, B. (1988). The practice of the use of computers. A paradoxical encounter between different traditions of knowledge. In B. Göranzon & I. Josefson (Eds.), Knowledge, skill and artificial intelligence (pp. 9–18). London: Springer.

    Chapter  Google Scholar 

  • Goranzon. (1992). The practical intellect: Computers and skill. In K. S. Gill (Ed.), Artificial intelligence and society series. London: Springer.

    Google Scholar 

  • Guattari, F. (1992). Chaosmosis: An ethico-aesthetic paradigm. Bloomington: Indiana University Press.

    Google Scholar 

  • Hall, E. T. (1976). The dance of life. New York: Anchor Books.

    Google Scholar 

  • Hall, E. T. (1983). Dance of life: The other dimension of time, anchor books.

    Google Scholar 

  • Husserl. (1931). Cartesian meditations, a translation of meditations cartesiennes, D. Cairns. Dordrecht: Kluwer, 1988.

    Google Scholar 

  • Ikuta. (1988). The role of “craft language” in learning “waza”. AI & Society, 4, 137–146.

    Article  Google Scholar 

  • Jakobsen, R. (1960). Closing statement: Linguistics and poetics. In T. A. Seboek (Ed.), Style in language (pp. 350–377). Cambridge, MA: MIT Press.

    Google Scholar 

  • Kirschenbaum, H., & Henderson, V. L. (Eds.). (1989). Carl Rogers: Dialogues. Boston: Houghton Mifflin Company.

    Google Scholar 

  • Kuzmanovic, M., Engelen, S., & Chipperfield, A. (2009). Open sauces. Brussels: FoAM.

    Google Scholar 

  • Leithinger, D., Follme, S., Olwal, A., & Ishii, H. (2014). Physical telepresence: Shape capture and display for embodied, computer mediated collaboration. In Proceedings of UIST’14, ACM.

    Google Scholar 

  • Merleau-Ponty, M. (1945/1962). Phenomenology of perception (trans: Smith, C.). London: Routledge and Kegan Paul.

    Google Scholar 

  • Negrotti, M. (2012). The reality of the artificial: Nature, technology and naturoids (Studies in applied philosophy, epistemology and rational ethics). London: Springer.

    Book  Google Scholar 

  • Nevejan, C. (2007). Presence and the design of trust. PhD dissertation, University of Amsterdam.

    Google Scholar 

  • Nevejan, C. (2012). Witnessing you. On trust and truth in a networked world. Participatory systems initiative. Delft: Delft University of Technology.

    Google Scholar 

  • Niemetz, A., & Pelling, A. (2004). Dark side of the cell. http://www.darksideofcell.info/

  • Pelling, A. E., Schati, S., Gralla, E., Velentine, J., & Gimzewski, J. K. (2004). Local nanomechanical motion of the cell wall of Sacharomyces cereusiae. Science, 305, 1147. doi:10.1126/science.1097640.

    Article  Google Scholar 

  • Pelling, A. E., Wilkinson, P. R., Stringer, R., & Gimzewski, J. K. (2009). Dynamic mechanical oscillations during metamorphosis of the monacrh butterfly. Journal of the Royal Society Interface, 6, 29–37.

    Google Scholar 

  • Polanyi, M. (1966). The tacit dimension. New York: Doubleday. 1983 Reprint.

    Google Scholar 

  • Rauner, F., Rasmussen, L. B., & Corbett, M. (1988). The social shaping of technology. AI & Society, 2, 47–62. Springer.

    Article  Google Scholar 

  • Rosenbrock, H. (1988). Engineering as an art. AI & Society, 2(4), 315–320.

    Article  Google Scholar 

  • Rosenbrock, H. H. (1990). Machines with a purpose. Oxford: Oxford University Press.

    Google Scholar 

  • Rosenbrock, H. (1996). Rosenbrock’s account of causality and purpose: A compilation of Howard Rosenbrock’s works by Satinder Gill. In K. S. Gill (Ed.), Human machine symbiosis: The foundation of human-centred system design. London: Springer.

    Google Scholar 

  • Schaffer, S. (1990). Enlightened automata. In W. Clark, J. Golinski, & S. Schaffer (Eds.), The sciences in enlightened Europe. Chicago: Chicago University Press.

    Google Scholar 

  • Sha, X. W. (2013). Poiesis and enchantment in topological matter. Cambridge, MA: MIT Press.

    Google Scholar 

  • Sha, X. W., & Gill, S. P. (2005). Gesture and response in field-based performance’. In The ACM proceedings of creativity and cognition 2005, Goldsmiths College, London.

    Google Scholar 

  • Shannon, C., & Weaver, W. (1949). The mathematical theory of communication. Urbana: University of Illinois Press.

    MATH  Google Scholar 

  • Smith, D. (1992). The psychology of apprenticeship. In B. Göranzon & M. Florin (Eds.), Skill and education: Reflection and experience (pp. 83–100). London: Springer-Verlag.

    Chapter  Google Scholar 

  • Staines, J. (2010). Excited atoms: An exploration of virtual mobility in the contemporary performing arts. An OTM mobility information dossier. http://on-the-move.org/library/article/13882/otm-excited-atoms-exploration-of-virtual-mobility/

  • Up, T., & FoAM. (2006). TRG: On transient realities and their generators. Brussels: FoAM.

    Google Scholar 

  • Vesna, V. (2004). Cell ghosts. Premiered at the crash and flow exhibition held at the former Seodaermun prison in Seoul. Documentation: http://vv.arts.ucla.edu/projects/04-05/cell/installation.html

  • Vesna, V. (2012). Vibration matters: Collective blue morph effect. AI & Society, 27, 319–323.

    Article  Google Scholar 

  • Winograd, T., & Flores, F. (1986). Understanding computers and cognition. A new foundation for design. Norwood: Ablex Corporation.

    MATH  Google Scholar 

  • Wittgenstein, L. (1958). Philosophical investigations (trans: Anscombe, G. E. M.). Oxford: Basil Blackwell.

    Google Scholar 

  • Wittgenstein, L. (1969). On certainty (trans: Paul, D. & Anscombe, G. E. M.). Oxford: Oxford University Press.

    Google Scholar 

  • Zandonella, C. (2003). Dying cells dragged screaming under the microscope. Nature, 43, 105–107.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2015 Springer International Publishing Switzerland

About this chapter

Cite this chapter

Gill, S.P. (2015). Tacit Engagement: Betwixt and Inbetween. In: Tacit Engagement. Springer, Cham. https://doi.org/10.1007/978-3-319-21620-1_5

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-21620-1_5

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-21619-5

  • Online ISBN: 978-3-319-21620-1

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics