Abstract
This paper examines the Italian theatre market from both the demand and supply side. The descriptive analysis shows that the Italian theatre market is, mainly, localized in the Northern and Central Italian regions for both patrons and companies, confirming a cultural divide between the Southern and the rest of the Italian regions also in the theatrical sector. Like many other European countries, the performing arts in Italy are subsided by public funds through the so-called Fondo Unico per lo Spettacolo (FUS), thereby influencing theatre performance and attendance. As expected, the distribution of the FUS follows the localization of the theatrical companies. The empirical analysis is conducted using 34-year panel data (1980–2013) for the 20 Italian regions. By applying the seemingly unrelated regression (SUR) estimation technique, we identify the factors influencing theatre demand and the number of performances on stage. The estimated results confirm price and consumer income as the main determinants of the number of tickets sold together with the territorial area. In contrast, the number of performances is influenced by income, lagged demand, theatrical employment, and other contextual factors linked to territorial areas and public subsidies.
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Notes
- 1.
The Italian Minister of Culture, after consulting the Advisory Committee for the Music Industry, may recognize the qualification of Theatre of Tradition to some theatres.
- 2.
See also O’Hagan’s (2017).
- 3.
As a robustness check, we have also estimated the model without the dummy Area and the results are not statistically different. Those results are available upon request from the authors.
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Castiglione, C., Infante, D. (2017). The Evolution of Theatre Attendance in Italy: Patrons and Companies. In: Ateca-Amestoy, V., Ginsburgh, V., Mazza, I., O'Hagan, J., Prieto-Rodriguez, J. (eds) Enhancing Participation in the Arts in the EU. Springer, Cham. https://doi.org/10.1007/978-3-319-09096-2_10
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