Abstract
Pictures have a double reality — objects in their own right and representing quite different objects in a different space and time. We may call these Other Worlds of pictures.
The first artists were cave painters; though there were far earlier pictures of bird’s eyes on butterfly wings, produced by natural selection. For perception I distinguish ‘cues’ from ‘clues’. This is from innate knowledge, to knowledge learned by individual experience. Knowledge is key to perception — as perceptions depend on and also provide knowledge.
Trompe l’oeil is the most dramatic use of cues and clues; but the more realistic a painting the more dramatic are its illusions, especially associated with moving around the painting, or (most dramatic) a trompe l’oeil dome of a cathedral. There is an attempt to classify phenomena of illusions.
deceased May 17, 2010.
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References
Gregory RL (1997) Eye and brain: The psychology of seeing (5th edn.). Oxford University Press, Oxford, UK
Gregory RL (2009) Seeing through illusions (1st edn.). Oxford University Press, Oxford, UK
Ebert-Schifferer S, Staiti P, Wheelock A K, Singer W (2003) Deceptions and illusions:Five centuries of Trompe L’Oeil paintings (1st edn.), National Gallery of Art, Washington DC
Gombrich E (1950) The story of art (1st edn.). Phaidon, London, UK
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Gregory, R.L. (2012). Pictures as strange objects of perception. In: Barth, F.G., Giampieri-Deutsch, P., Klein, HD. (eds) Sensory Perception. Springer, Vienna. https://doi.org/10.1007/978-3-211-99751-2_10
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