Abstract
Architecture and urban development of the 1960s and 1970s in Eastern Europe is usually only briefly dealt with in publications. It is said that after the intermezzo of Socialist Realism, construction engineering was, after 1960, determined by the design principles of modernism. It is also emphasized that the pathos of the Stalinist period was followed by a mundane, productivist, even technocratic period characterized by the fulfilment of planning objectives, which found its adequate expression in the grey mass of „Plattenbauten“.
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References
Sigfried Giedion, „über eine neue MonumentalitÄt“ (1943), id.,Architektur und Gemeinschaft (Hamburg: Rowohlt, 1956), pp. 27–39. The essay was initially published in an anthology by Paul Zucker, New Architecture and City Planning: A Symposium (New York: Philosophical Library, 1944).
Elizabeth Mock (Ed.), Built in USA 1932–1944 (New York: The Museum of Modern Art, 1944), p. 25.
Ibid., p. 38.
J.L. Sert, „Centers of Community Life“, in J. Tyrwhitt, J.L. Sert, E.N. Rogers (Eds.), The Heart of the City: Towards the Humanization of Urban Life (New York: Pellegrini and Cudahy, 1952), p. 4.
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Moravánszky, á. (2008). The grand gesture. In: Eastmodern. Springer, Vienna. https://doi.org/10.1007/978-3-211-71532-1_18
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DOI: https://doi.org/10.1007/978-3-211-71532-1_18
Publisher Name: Springer, Vienna
Print ISBN: 978-3-211-71531-4
Online ISBN: 978-3-211-71532-1