Abstract
When the lives of popes are narrated in films, the pope’s main characteristic often appears to consist in being either for or against secular modernity. This suggests that the question “are you modern?” is crucial for the public understanding of the papacy. The series The Young Pope can offer an interesting case for rethinking papal agency beyond the established dichotomy. The fictional Pope Pius XIII is characterized not as being for or against secular modernity but as seeking to use his power to shape an alternative modernity. The series offers different scenarios of how the pope can stage himself as a public actor and what papal power as an agency sui generis could look like. Based on four of the series’ speeches, the chapter discusses the examples of conventional, ultra-progressive, ultra-conservative and authentic papal rhetoric and staging.
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Barbato, M. (2020). “I Put No Stock in Consensus”: The Young Pope and the Progressive/Conservative Cleavage in Filmic Narrations of Papal Power. In: Barbato, M. (eds) The Pope, the Public, and International Relations. Culture and Religion in International Relations. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-46107-2_4
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DOI: https://doi.org/10.1007/978-3-030-46107-2_4
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Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-46106-5
Online ISBN: 978-3-030-46107-2
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