Abstract
This section, ‘Staging Russian Prose’ ponders the popularity of adaptation. After Chekhov, Dostoevsky is the most frequent figure in the database and he was never a playwright. And adaptation has been a means for bringing unfamiliar Soviet literature to British attention (Abramov, for example). Seeing much-loved novels such as The Brothers Karamazov or another favourite, Tolstoy’s, War and Peace (even at the circus!) has become almost addictive. The discussion follows the following headings: The skills and pitfalls of adaptation; New directions; Adaptations by Russian companies and/or directors; British adaptations; Novels; Short stories; Plays ‘after’ novels; Prose adaptation on the stage: some conclusions.
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Marsh, C. (2020). Staging Russian Prose. In: Translated and Visiting Russian Theatre in Britain, 1945–2015. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-44333-7_7
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