Abstract
For a long time in the industrial configuration of Southern Africa, many South African neighbouring countries have been popularly known as the labour reserve economy for South African mines—and other industries. However, after the 1990s, employment opportunities for many in the mines started to decline as many mineworkers were retrenched. This led to declining means of livelihoods for many rural households in the region. The rural production shifted towards informal income activities that include zama zama or illegal mining. The significance of zama zama has increased, and most of the illegal mineworkers are unemployed South Africans, and those from the neighbouring countries such as Lesotho, Zimbabwe and Mozambique. With these groups coming together to work on disused gold mines, their interactions are often marred with conflicts, violence and killings in some cases. Looking at the case of Basotho illegal migrant mineworkers, this chapter explores the relationship between zama zama, conflict, mobility, turf wars and violence in disused gold mines in Gauteng Province, South Africa. The chapter further demonstrates the conflicts between different groups of Basotho illegal migrant mineworkers in underground, disused mines in a foreign country, South Africa. This chapter draws from the author’s doctoral thesis, extant literature and the researcher’s observations and experience in the study of unlicensed artisanal diamond mining in the highlands of Lesotho.
Parts of this chapter are taken from my dissertation, Makhetha, E. 2017. Small-scale artisanal diamond mining and rural livelihood diversification inLesotho. PhD Thesis, University of Pretoria. Available online: https://repository.up.ac.za/bitstream/handle/2263/62649/Makhetha_Small_2017.pdf
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Notes
- 1.
A popular form of accordion music that blends storytelling, spoken word and rapid-fire rap styles to reflect the lives of Basotho (Monaheng 2014). Lesotho’s traditional music is referred to as famo (from ho re famo, meaning to flare one’s nostrils) or ’mino oa koriana (accordion music) (Monaheng 2014). The story of Lesotho’s traditional music has its roots in a community dating back to the late 1800s, which spawned the songs of li tsamaea-naha—the migrant labourers who journeyed for days on foot to work in the mines in South Africa. The men would compose songs during their migration about everything from love interests to the hardships of life. The freestyle traditions of that era are still closely guarded by contemporary musicians in Lesotho (Monaheng 2014). https://www.news24.com/Archives/City-Press/Accordion-cowboys-20150430 (accessed 26 September 2018).
- 2.
http://sundaypress.co.ls/?p=7499#sthash.e1pI5wQB.dpuf (accessed 13 May 2014).
- 3.
http://sundaypress.co.ls/?p=7499#sthash.e1pI5wQB.dpuf (accessed 13 May 2014).
- 4.
Lesotho Mining and Minerals Policy Green Paper, www.ls.undp.org (2014, December 16).
- 5.
https://www.iol.co.za/news/south-africa/gauteng/zama-zama-turf-war-fears-after-7-bodies-found-in-veld-12727076 (accessed 18 September 2018).
https://www.iol.co.za/the-star/news/six-foreigners-arrested-for-zama-zama-murders-in-ekurhuleni-18753902, (accessed 16 March 2019).
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Makhetha, E. (2020). Basotho Mineworkers and zama zama in Disused Commercial Gold Mines in Gauteng Province, South Africa. In: Nshimbi, C., Moyo, I. (eds) Borders, Mobility, Regional Integration and Development. Advances in African Economic, Social and Political Development. Springer, Cham. https://doi.org/10.1007/978-3-030-42890-7_5
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