Skip to main content

Ephemeral Memories. The Paradox of Images’ Abundance in the Age of Digital Mortality

  • Conference paper
  • First Online:

Part of the book series: Advances in Intelligent Systems and Computing ((AISC,volume 1140))

Abstract

Visual communication has always been one of the primary forms of human expression. Moreover, since the digital revolution, we are leaving in between two phenomena: the so-called société du spectacle directly relying on images as social representation and the information society. More than ever, we are living an abundance of mass picture production thanks to mobile devices, and social network devoted to visual storytelling. Nevertheless, this profusion is dramatically changing the nature of images: from timeless memory-machines to ephemeral experiences to be shared and consumed. Besides, the perishable materiality of digital images and the technological obsolescence risk to erase original documentary sources forever. The paper presents and discusses the paradox the end of mythography – the visual form history storytelling as we know it today – and the cultural creation of the eternal present due to the mortality of digital images.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • Bagnara, S., Misiti, R.: Psicologia Ambientale. Il Mulino, Bologna (1978)

    Google Scholar 

  • Baricco, A.: The Game. Einaudi, Torino (2018)

    Google Scholar 

  • Baricco, A.: I barbari. Feltrinelli, Milano (2006)

    Google Scholar 

  • Barthes, R.: La Chambre claire: Note sur la photographie. Gallimard, Paris (1980). (trad. La camera chiara. Nota sulla fotografia. Torino: Einaudi)

    Google Scholar 

  • Baudrillard, J.: Simulacri e impostura. Bestie, Beaubourg, appartenenze e altri oggetti. PGreco Edizioni, Milano (2008)

    Google Scholar 

  • Benjamin, W.: Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (1936). (trad. (1966) L’opera d’arte nell’epoca della sua riproducibilità tecnica. Arte e società di massa. Torino: Einaudi)

    Google Scholar 

  • Benjamin, W.: Kleine Geschichte der Photographie. Die Literarische Welt 38, 39, 40 (1931). (trad. (2013). A Short History of Photography. Ad Marginem Press)

    Google Scholar 

  • Berger, J.: Understanding a Photograph. Penguin Book, London (1967)

    Google Scholar 

  • Bollini, L.: The urban landscape and its social representation. A cognitive research approach to rethinking historical cultural identities. In: Amoruso, G. (ed.) Putting Tradition into Practice: Heritage, Place and Design. INTBAU 2017. Lecture Notes in Civil Engineering, vol. 3, pp. 834–842. Springer, Cham (2017a)

    Google Scholar 

  • Bollini, L.:. Fotografie sbiadite. Donne, comunicazione, tecnologie. In: R. Riccini (a cura di) Angelica e Bradamante. Le donne del design, pp. 225–233. Il Poligrafo, Padova (2017b)

    Google Scholar 

  • Bollini, L.: Beautiful interfaces. From user experience to user interface design. In: Di Lucchio, L., Imbesi, L., Atkinson, P. (eds.) Design for Next. Proceedings of the 12th European Academy of Design Conference, Sapienza University of Rome, 12–14 April 2017. Taylor & Francis Group, Abingdon (2017c)

    Google Scholar 

  • Bollini, L.: Large, small, medium. Il design della comunicazione nell’ecosistema digitale. Maggioli Editore, Rimini (2016a)

    Google Scholar 

  • Bollini, L.: The open heritage of digital archives. Preservation, sustainability and accessibility of historical documentation to map the field of Italian Mind Science. In: Amoêda, R., Lira, S., Pinheiro, C. (eds.) 5th International Conference on Heritage and Sustainable Development, HERITAGE 2016, pp. 773–782. Green Lines Institute, Lisbona (2016b)

    Google Scholar 

  • Bollini, L., Busdon, G., Mazzola, A.: GeoLapse. A digital space-based and memory-related time-capsule app. In: Gervasi, O., et al. (eds.) Computational Science Computational Science and its Applications – ICCSA 2015, Part II, LNCS 9156, pp. 675–685. Springer, Heidelberg (2015)

    Google Scholar 

  • Bollini, L.: Territories of digital communities. Representing the social landscape of web relationships. In: Murgante, B., Gervasi, O., Iglesias, A., Taniar, D., Apduhan, B.O. (eds.) Lecture Notes in Computer Science - ICCSA 2011, vol. 6782, pp. 501–511. Springer, Heidelberg (2011a)

    Google Scholar 

  • Bollini, L.: Territorio e rappresentazione. Paesaggi urbani. Paesaggi sociali. Paesaggi digitali. Rimini e l’altro mediterraneo. In: Giovannini, M., Prampolini, F. (eds.) Spazi e culture del Mediterraneo, vol. 3, pp. 28–42. Edizioni Centro Stampa di Ateneo, Reggio Calabria (2011b)

    Google Scholar 

  • Bollini, L.: Registica multimodale: Il design dei new media. CLUP, Milano (2004)

    Google Scholar 

  • Bollini, L.: Multimodalità vs. Multimedialità. Il Verri 16, 144–148 (2001)

    Google Scholar 

  • Sample, I.: Google boss warns of ‘forgotten century’ with email and photos at risk. The Guardian, 13 February 2015. https://www.theguardian.com/technology/2015/feb/13/google-boss-warns-forgotten-century-email-photos-vint-cerf

  • Connerton, P.: How Societies Remember. Cambridge University Press, Cambridge (1989)

    Book  Google Scholar 

  • Falcinelli, R.: Critica portatile al visual design. Einaudi, Torino (2014)

    Google Scholar 

  • Ferraris, M.: Documentalità. Perché è necessario lasciar tracce. Laterza, Bari (2009)

    Google Scholar 

  • Francescato, D., Mebane, W.: How citizens view two great cities: Milan and Rome. In: Downs, R., Stea, D. (eds.) Images and Environment. Aldine, Chicago (1973)

    Google Scholar 

  • Heim, M.R.: Electric Language: A Philosophical Study of Word Processing. Yale University Press, New Haven (1986)

    Google Scholar 

  • Keen, A.: The Cult of the Amateur: How Blogs, MySpace, YouTube and the Rest of Today’s User Generated Media Are Killing Our Culture and Economy. Nicholas Brealey Publishing Ltd., Boston (2002)

    Google Scholar 

  • Lanier, J.: Who Owns the Future?. Simon & Schuster, San Jose (2013)

    Google Scholar 

  • Lanier, J.: Dieci ragioni per cancellare subito i tuoi account social. Il Saggiatore, Roma (2018)

    Google Scholar 

  • Lemagny, A.: Histoire de la photographie. Bordas, Paris (1993)

    Google Scholar 

  • Leroi-Gourhan, A.: Le geste et la parole, 2 vols. Paris: Albin Michel, 1964–65 (1964). (English tr. (1993). Gesture and Speech. Cambridge, Massachusetts & London: MIT Press). https://web.stanford.edu/class/history34q/readings/Leroi-Gourhan/Leroi-Gourhan_ch6.html

  • Lynch, K.: The Image of the City. MIT Press, Harvard (1960)

    Google Scholar 

  • Lovink, G.: Zero Comments. Teoria critica di Internet. Bruno Mondadori Editore, Milano (2008)

    Google Scholar 

  • Maeda, J.: The Laws of Simplicity (Simplicity: Design, Technology, Business, Life). MIT Press, Cambridge (2006). (Tr. ita.: Le leggi della semplicità. Milano: Bruno Mondadori)

    Google Scholar 

  • Maldonado, T.: Il futuro della modernità. Feltrinelli, Milano (1987)

    Google Scholar 

  • Mantellini, M.: Bassa risoluzione. Einaudi, Torino (2018)

    Google Scholar 

  • Metitieri, F.: Il grande inganno del Web 2.0. Laterza, Bari (2009)

    Google Scholar 

  • Mitchel, W.J.T.: Pictorial Turn. Saggi di cultura visuale. Raffaello Cortina Editore, Milano (2017)

    Google Scholar 

  • Monguzzi, B.: La parola vestita. Lecture at University of Milano-Bicocca, 5 June 2003. http://www.aiap.it/notizie/429/2

  • O’Neal, H.: A Vision Shared: A Classic Portrait of America and Its People 1935–1943. St Martins Press, London (1976)

    Google Scholar 

  • Pasolini, P.P.: Affabulazione. Nuovi argomenti, XV luglio/settembre (1969). (Eng. tr.: (2011) Fabrication. London: Oberon Modern Plays.)

    Google Scholar 

  • Russo, M., Zambardi, V.: Eretici digitali. Apogeo, Milano (2009)

    Google Scholar 

  • Sacasas, L.M.: Writing, Memory, Identity. Technology, Culture, and Ethics, 8 February 2011. https://thefrailestthing.com/2011/02/08/writing-memory-identity/

  • Shannon, C.E.: A Theory of Communication. Bell Syst. Tech. J. 27, 379–423 (1948)

    Article  MathSciNet  Google Scholar 

  • Sontag, S.: On Photography. Farrar, Straus and Giroux, New York (1977)

    Google Scholar 

  • Viola, B.: Nero video. La mortalità dell’immagine. Castelvecchi, Roma (2016)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Letizia Bollini .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2020 Springer Nature Switzerland AG

About this paper

Check for updates. Verify currency and authenticity via CrossMark

Cite this paper

Bollini, L. (2020). Ephemeral Memories. The Paradox of Images’ Abundance in the Age of Digital Mortality. In: Cicalò, E. (eds) Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination. IMG 2019. Advances in Intelligent Systems and Computing, vol 1140. Springer, Cham. https://doi.org/10.1007/978-3-030-41018-6_35

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-41018-6_35

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-41017-9

  • Online ISBN: 978-3-030-41018-6

  • eBook Packages: EngineeringEngineering (R0)

Publish with us

Policies and ethics