Abstract
This chapter on Rachel Kushner’s Telex From Cuba (2008) and The Flamethrowers (2013) examines how both novels use historical narratives and marginal passive narrators to depict the consolidation of post-World War II American imperialism. The first section investigates Telex from Cuba’s “energetic materialism” or how sugar fuels nascent US imperialism in Cuba, expressed through the “average heroes” of historical fiction. The latter half examines The Flamethrowers’ triangulation of oil with accelerationist land art in the US, alongside Italy’s automobile industry and Autonomist protest movements, in ways that figure historical fiction’s drive to narrate totality through the ambivalent form of the “peripeteia” . Analysing these two works together unpacks the world-ecological links between American imperialism, oil, and art, amidst deindustrialisation and world revolutionary protest.
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De Loughry, T. (2020). “FAC UT ARDEAT”: Rachel Kushner, the World-Historical Novel, and Energetic Materialism. In: The Global Novel and Capitalism in Crisis. New Comparisons in World Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-39325-0_6
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