Courtroom Performances: Drama, but not Representational Drama
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This chapter focuses on the material regime. We explore aspects of the rape courtroom assemblage which include various embodied practices and performances. Through this, we can map the significance placed on the ability of the body to affect and be affected and consider how this impacted barristers’ perspectives on, and utilisation of, measures which have been brought in to improve the courtroom experience for rape victims. We also map, and make visible, various courtroom tactics and practices and see how these are influenced by key attractors and involve drawing a plane of composition and engaging in techniques of affect. Whilst affects and the material regime will be our primary focus, given the interconnected reality of the theory, this will also involve issues of territory and intensive sense.
KeywordsMaterial regime Territories Techniques of affect Rape Special measures Courtroom performances Victimhood Testimony
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