Abstract
Textiles is identified as a founding activity and process of not only fashion, but also architecture, interior design, and automotive and transport design, and therefore is a key constituent of the creative economy. Focusing on conceptual, cultural and material capital value, this chapter considers the different value forms a textile designer draws upon to create new material forms. Value construction is discussed also in the context of the role textile designers play during product innovation in industry, which plays out within a macro political context of environmental sustainability. Textile design and textiles can represent not only the actions of creating a material through knitting, weaving and fusing fibres but also the processes, techniques and finishes that constitute its production, and relay cultural contexts, uses and significance. Noting the paradigmatic changes in textiles, the chapter notes the shift from political importance of gendered and textile arts readings of textiles to conceptualised bodies of practices, and the more recent shift towards concerns of the textile artist as researcher, theorist and curator, moving currently to a paradigm that favours the community ethos of craft and textiles. Transition design draws on the concept of transition from ecology to explain the sustainability of complex ecosystems, and describes how textiles and fashion are undergoing a shift in thinking towards more circular production and ecological consumption patterns, driven by shifting personal value sets. The chapter notes how transition design embeds a designed object within wider societal influence or behaviour, and as such evokes phenomenological or existential methodologies.
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Lerpiniere, C. (2020). Value Definition in Sustainable (Textiles) Production and Consumption. In: Granger, R. (eds) Value Construction in the Creative Economy. Palgrave Studies in Business, Arts and Humanities. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-37035-0_5
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