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Conclusion: Mainstreaming and Marginalizing Digital Games

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Mapping Digital Game Culture in China

Part of the book series: East Asian Popular Culture ((EAPC))

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Abstract

The conclusion weaves the threads of the preceding chapters’ arguments together, emphasizing the diverse ways digital leisure culture enables young people to confront or escape from the challenges of contemporary urban life, both its successes and, more importantly, its failures. In particular, the concluding chapter considers the larger political implications and limitations of affective attachments to digital games and media, both within China and beyond. As games become more mainstream, and the marginalization felt by gamers bleeds into a general sense of dissatisfaction with China’s increasingly stratified society of winners and losers, have digital media also lost some of their efficacy as political tools? In answering this question, this chapter probes the dividing line between digital activities that push for change and those may make individuals more complacent in their everyday conditions.

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Notes

  1. 1.

    Lin, dir. Weiwei Yixiao. The show is based on a successful novel of the same name.

  2. 2.

    Xu, “Lingo of Games.”

  3. 3.

    Boym, Future of Nostalgia, xiv.

  4. 4.

    Boym, 42.

  5. 5.

    Allison, “Precarious Sociality,” 5.

  6. 6.

    de Certeau, Practice of Everyday Life, xii.

  7. 7.

    Foucault, History of Sexuality, 139.

  8. 8.

    Campbell, “Technologies of Suspicion,” 80–81.

  9. 9.

    Rose, Powers of Freedom, 164.

  10. 10.

    Papacharissi, Affective Publics, 87.

  11. 11.

    See the archived tumblr posts online at http://wearethe99percent.tumblr.com/

  12. 12.

    Ostroy, “Failure of Occupy.”

  13. 13.

    Papacharissi, “Affective Publics and Structures of Storytelling.”

  14. 14.

    Zeng, “Turn Off, Drop Out.”

  15. 15.

    He, “Jiale jingshen yapian de ‘sang cha.’”

  16. 16.

    Rojek, Labour of Leisure, 1.

  17. 17.

    See Žižek, “How did Marx Invent,” in particular, see his concept of ideological fantasy.

  18. 18.

    Dyer-Witheford and de Peuter, Games of Empire, xiv.

  19. 19.

    Grossman, “Grossman on Fantasy.”

  20. 20.

    Link, Mandarin Ducks and Butterflies.

  21. 21.

    Grossman, “Grossman on Fantasy.”

  22. 22.

    Papacharissi, Affective Publics.

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Correspondence to Marcella Szablewicz .

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Szablewicz, M. (2020). Conclusion: Mainstreaming and Marginalizing Digital Games. In: Mapping Digital Game Culture in China. East Asian Popular Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-36111-2_7

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