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The Prosody of Dubbed Speech pp 189–223Cite as

Palgrave Macmillan

Pitch Perfect

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Abstract

This chapter concerns the effect that the prosody of dubbed dialogue has on audience response as well as the different mental processes that are (un)wittingly activated by the viewers for the sake of enjoyment. The localised and heterogenous background of current dubbing practices is also discussed and used as the yardstick against which prosodic standards in the translated script are to be accounted for. Focusing on teaching and training, the chapter proposes a didactic approach to dubbed prosody by designing a theoretical and practical framework that enables students and trainees to familiarise with and become aware of the intricacies of dubbing at the prosodic level. Finally, the voice talent’s job is scrutinised in the last section of the chapter by reviewing the dubbing actors’ take on their day-to-day routines and their hands-on experience.

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Filmography

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  • Casablanca (1942), Michael Curtiz, Warner Bros. Pictures.

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  • Gangs of New York (2002), Martin Scorsese, Miramax Films.

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Authors and Affiliations

  1. Department of Translation and Interpreting, University of Murcia, Murcia, Spain

    Sofía Sánchez-Mompeán

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  1. Sofía Sánchez-Mompeán
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Correspondence to Sofía Sánchez-Mompeán .

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Sánchez-Mompeán, S. (2020). Pitch Perfect. In: The Prosody of Dubbed Speech. Palgrave Studies in Translating and Interpreting. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-35521-0_5

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