Abstract
Against the background of Victorian sensationalist fiction and newsprint, Edney examines the popular science writing of Philip Gosse and Charles Kingsley, Christian popular scientists who detailed the lives and deaths of sea animals in the rock pools of British coastal resorts. In the relationship between their popular science styles and Victorian Gothic, Edney uncovers the uncanny concealed in fashionable home aquariums, to materialise as monstrous in middle-class parlours. The haunting persistence of sea animals as uncanny ornaments in Victorian homes created miniature alien presences whose strange behaviours reflected wider Victorian anxieties about science, religion, and social unease.
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Edney, S. (2020). At Home with Miniature Sea-Monsters: Philip Henry Gosse, Charles Kingsley, and ‘The Great Unknown’. In: Heholt, R., Edmundson, M. (eds) Gothic Animals. Palgrave Studies in Animals and Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-34540-2_9
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