Abstract
Walsh presents a study on depictions of the demonic other in early modern English demonic possession narratives, demonstrating the influence that this literary archetype played on conceptions of the Victorian Gothic animal. Drawing on sixteenth- and seventeenth-centuries possession pamphlets, this chapter highlights how animals were configured and embodied within the Protestant spirituality of this period. With the 1597–1598 possession of William Sommers in Nottingham as a central case study, this chapter illustrates how this archetype of the demonic animal or animalistic demoniac would be later recast in a Darwinian paradigm to express the social and cultural anxieties of the Victorian period. Followed by an analysis of the animalistic in Victorian Gothic literature, Walsh concludes that the demonic animal motif that emerged from the early modern literary tradition would shape the perceptions of both animals and the demonic for centuries to come.
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Walsh, B.C. (2020). ‘Like a Madd Dogge’: Demonic Animals and Animal Demoniacs in Early Modern English Possession Narratives. In: Heholt, R., Edmundson, M. (eds) Gothic Animals. Palgrave Studies in Animals and Literature. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-34540-2_2
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