Skip to main content

Part of the book series: Palgrave Studies in Comedy ((PSCOM))

  • 114 Accesses

Abstract

Morecambe & Wise achieved great success by adaptively working through the medium of televised British Variety and by fashioning a kinder, more inclusive world within their comedy, reaching family audiences on multiple levels. This chapter establishes the situated nature of the Boys’ comedy, analysing efforts to cast them, like Shakespeare, as timeless and their work as nostalgic escapism. Rather, the chapter resituates their work within contemporary televisual and political discourses, tracing their roles in creating comedy.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 84.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    This bibliography lists all texts cited in this book. Unless otherwise indicated, the place of publication is London.

Bibliography

This bibliography lists all texts cited in this book. Unless otherwise indicated, the place of publication is London.

  • Archer, Neil (2017) Beyond a Joke: Parody in English Film and Television Comedy. I.B. Tauris.

    Google Scholar 

  • Asher, Robert, dir (1965) The Intelligence Men. Rank.

    Google Scholar 

  • Bailey, Peter (1994) ‘Conspiracies of Meaning: Music Hall and the Knowingness of Popular Culture.’ Past and Present, 144.1, 138–170.

    Article  Google Scholar 

  • Bailey, Peter (2003/1998) Popular Culture and Performance in the Victorian City. Cambridge UP.

    Google Scholar 

  • Baker, Roger (1994) Drag: A History of Female Impersonation in the Performing Arts. New York UP.

    Google Scholar 

  • Baldwin, M., M. Biernat, and M.J. Landau (2015) ‘Remembering the Real Me: Nostalgia Offers a Window to the Intrinsic Self.’ Journal of Personality and Social Psychology, 108.1, 128–147.

    Article  Google Scholar 

  • Balirano, Giuseppe (2007) ‘De-stereotyping Otherness: A Multimodal Script Analysis of Semiotically Expressed Humour,’ in Norman Fairclough, Giuseppina Cortese, and Patrizia Ardizzone, eds, Linguistic Insights: Discourse and Contemporary Social Change. Bern: Peter Lang, 54, 487–506.

    Google Scholar 

  • Banham, Martin (1984) ‘BBC Television’s Dull Shakespeare,’ in C.B. Cox and David Palmer, eds, Shakespeare’s Wide and Universal Stage. Manchester UP.

    Google Scholar 

  • Beckett, Andy (2009) When the Lights Went Out: What Really Happened to Britain in the Seventies. Faber and Faber.

    Google Scholar 

  • Bendelack, Steve, dir (1984–1996) Spitting Image. ITV.

    Google Scholar 

  • Berger, Harry, Jr. (2005) Situated Utterances: Texts, Bodies, and Cultural Representations. New York: Fordham UP.

    Google Scholar 

  • Boon, Richard (2004) ‘A Star in Two Halves: The Democratic Comedy of Morecambe and Wise,’ in Jane Milling, Martin Banham, and Peter Thomson, eds, Extraordinary Actors: Essays on Popular Performers. Studies in Honour of Peter Thomson. Exeter UP, 176–190.

    Google Scholar 

  • Braben, Eddie (2004) The Book What I Wrote: Eric, Ernie, and Me. Hodder & Stoughton.

    Google Scholar 

  • Bramley, Zoey (2016) William Shakespeare in 100 Facts. Stroud: Amberley.

    Google Scholar 

  • Brown, Stephen (2014) ‘Mascot Mania: Monkeys, Meerkats, Martians and More,’ in Stephen Brown and Sharon Ponsonby-McCabe, eds, Brand Mascots: And Other Marketing Animals. Oxford: Routledge, 1–16.

    Chapter  Google Scholar 

  • Burton, Paul (2008) The Morecambe & Wise Quiz Book. JR.

    Google Scholar 

  • Busby, Roy (1976) British Music Hall: An Illustrated Who’s Who from 1850 to the Present Day. Paul Elek.

    Google Scholar 

  • Bye, Ed, dir (1991–1994) The Full Wax. BBC.

    Google Scholar 

  • Cassidy, Anne (2011) ‘Karmarama wins Wells and Young’s Advertising Account.’ Campaign. 13 January. Campaignlive.co.uk.

  • Cervellon, Marie-Cécile and Stephen Brown (2018) Revolutionary Nostalgia: Retromania, Neo-Burlesque, and Consumer Culture. Bingley: Emerald Publishing.

    Book  Google Scholar 

  • Clark, Alan and David Ashford (1983) The Comic Art of Roy Wilson. Tunbridge Wells: Midas Books.

    Google Scholar 

  • Clarkson, S.J., ed (2006–2007) Life on Mars. BBC.

    Google Scholar 

  • Cook, Chris and John Stevenson (2000) Longman Companion to Britain Since 1945. Longman.

    Google Scholar 

  • Cook, William, ed (2005) Eric Morecambe Unseen: The Lost Diaries, Jokes, and Photographs. HarperCollins.

    Google Scholar 

  • Cornell, Paul, Martin Day, and Keith Topping (1996) The Guinness Book of Classic TV. Guinness World Records.

    Google Scholar 

  • Cotton, Bill (2000) Double Bill: 90 Years of Entertainment. Fourth Estate.

    Google Scholar 

  • Craig, Mike, prod (1984) One of a Kind: An Appreciation of Eric Morecambe. Manchester: BBC Radio. 26 July.

    Google Scholar 

  • Crewe, Ivor and Anthony King (1998) SDP: The Birth, Life, and Death of the Social Democratic Party. Oxford UP.

    Google Scholar 

  • Crisell, Andrew (2002/1997) An Introductory History of British Broadcasting. Routledge.

    Google Scholar 

  • Croft, David, dir (1989) Hysteria 2. Channel 4. 1 December.

    Google Scholar 

  • Crowther, Bruce (1987) Laurel and Hardy: Clown Princes of Comedy. Foreword by Ernie Wise. Columbus.

    Google Scholar 

  • Curtis, Richard (2007) Red Nose Day. BBC.

    Google Scholar 

  • Czajka, Agnes (2019) ‘Politics as a Social and Public Activity.’ What is Politics? OpenLearn. open.edu.

  • Davidson, Iain, dir (2009–2012) Burnistoun. BBC.

    Google Scholar 

  • Dewey, Robert (2009) British National Identity and Opposition to Membership of Europe, 1961–1963: The Anti-Marketers. Oxford UP.

    Google Scholar 

  • Disher, Wilson (1938) Winkles and Champagne: Comedies and Tragedies of the Music Hall. B.T. Batsford.

    Google Scholar 

  • Doherty, Sean, dir (2012) Bring Me Morecambe and Wise. UK Gold TV.

    Google Scholar 

  • Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan.

    Google Scholar 

  • Dyson, Arch (1994–2014) The Fast Show. BBC.

    Google Scholar 

  • Ellis, John (2002) Seeing Things: Television in the Age of Uncertainty. I.B. Tauris.

    Google Scholar 

  • Ellis, John (2005) ‘Importance, Significance, Cost and Value: Is an ITV Canon Possible?,’ in Catherine Johnson and Rob Turnock, eds, ITV Cultures: Independent Television Over Fifty Years. Open UP, 36–56.

    Google Scholar 

  • Farson, Daniel (1972) Marie Lloyd & Music Hall. Tom Stacey.

    Google Scholar 

  • Faulk, Barry (2001) ‘Modernism and the Popular: Eliot’s Music Halls.’ Modernism/Modernity, 8.4, 603–621.

    Article  Google Scholar 

  • Ferguson, Ken and Sylvia Ferguson, eds (1967) ‘Morecambe and Wise: The Secret of their Success.’ Television Stars. Purnell, 46–48.

    Google Scholar 

  • Fiske, John (1992) ‘British Cultural Studies and Television,’ in Robert Allen, ed, Channels of Discourse, Reassembled: Television and Contemporary Criticism. North Carolina UP, 284–326.

    Google Scholar 

  • Forristal, Desmond (1973) ‘Stage and Screen.’ The Furrow, 24.2, 98–101.

    Google Scholar 

  • Forster, Laurel and Sue Harper (2010) British Culture and Society in the 1970s: The Lost Decade. Newcastle upon Tyne: Cambridge Scholars.

    Google Scholar 

  • Foucault, Michel (1980) ‘What is an Author?,’ in Language, Counter-memory, Practice: Selected Essays and Interviews by Michel Foucault. Trans. Donald Bouchard and Sherry Simon. Ithaca: Cornell UP, 113–138.

    Google Scholar 

  • Garrett, John (1976) Sixty Years of British Music Hall. Chappell.

    Google Scholar 

  • Geddes, Louise (2017) Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe. Rowman & Littlefield.

    Google Scholar 

  • Gerrard, Steven (2013) ‘The Great British Music Hall: Its Importance to British Culture and ‘The Trivial’.’ Culture Unbound, 5, 487–513.

    Article  Google Scholar 

  • Gorton, Kristyn (2009) Media Audiences: Television, Meaning and Emotion. Edinburgh UP.

    Google Scholar 

  • Graef, Roger, dir (1979) The Secret Policeman’s Ball. London Weekend Television. 22 December.

    Google Scholar 

  • Harding, James (1990) George Robey & The Music Hall. Hodder & Stoughton.

    Google Scholar 

  • Harrop, John (1980) ‘The Last Laugh: Comedy as Political Touchstone in Britain from ‘The Entertainer’ to ‘Comedians’.’ Theatre Journal, 3.21, 5–16.

    Article  Google Scholar 

  • Higgins, Charlotte (2015) This New Noise: The Extraordinary Birth and Troubled Life of the BBC. Guardian Books.

    Google Scholar 

  • Holderness, Graham, ed (2001) Cultural Shakespeare: Essays in the Shakespeare Myth. Hatfield: Hertfordshire UP.

    Google Scholar 

  • Holm, Nicholas (2017) Humour as Politics: The Political Aesthetics of Contemporary Comedy. Palgrave Macmillan.

    Google Scholar 

  • Hunt, Albert (2013/1981) The Language of Television: Uses and Abuses. Routledge.

    Google Scholar 

  • Hurley, Matthew, Daniel Dennett, and Reginald Adams, Jr (2011) Inside Jokes: Using Humour to Reverse-Engineer the Mind. Cambridge, MA: MIT Press.

    Book  Google Scholar 

  • Jackson, Kathy Merlock and Mark West, eds (2011) Disneyland and Culture: Essays on the Parks and Their Influence. McFarland.

    Google Scholar 

  • Johnson, Catherine and Rob Turnock, eds (2005) ‘Introduction: Approaching the Histories of ITV,’ in ITV Cultures: Independent Television Over Fifty Years. Open UP, 1–14.

    Google Scholar 

  • Kamm, Jürgen and Birgit Neumann (2016) ‘Introduction: The Aesthetics and Politics of British TV Comedy,’ in Kamm and Neumann, eds, British TV Comedies: Cultural Concepts, Contexts, and Controversies. Palgrave Macmillan.

    Google Scholar 

  • Kuipers, Giselinde (2006) ‘Television and Taste Hierarchy: The Case of Dutch Television Comedy.’ Media, Culture, and Society, 28.3, 359–378.

    Article  Google Scholar 

  • Lanier, Douglas (2002) “Art Thou base, Common and Popular?’: The Cultural Politics of Kenneth Branagh’s Hamlet,’ in Courtney Lehmann and Lisa Starks, eds, Spectacular Shakespeare: Theory and Popular Cinema. Madison: Farleigh Dickinson UP, 149–171.

    Google Scholar 

  • Linden, Eric, ed (1966) ‘Date With a Calendar.’ TV Times. 22 January, 7.

    Google Scholar 

  • Lively, Adam (2009) ‘The Good Old Days?’ Sunday Feature. BBC Radio. 29 November.

    Google Scholar 

  • Lloyd, Simon, dir (2018–2019) Morecambe and Wise in America. UK Gold TV. 27 December–10 January.

    Google Scholar 

  • Longhurst, Derek (1988) “You Base Football-Player!’: Shakespeare in Contemporary Popular Culture,’ in Graham Holderness, ed, The Shakespeare Myth. Manchester UP, 59–72.

    Google Scholar 

  • Lusted, David (1991) ‘The Glut of the Personality,’ in Christine Gledhill, ed, Stardom: Industry of Desire. Routledge, 251–258.

    Google Scholar 

  • MacNaughton, Ian, dir (1969–1974) Monty Python’s Flying Circus. BBC.

    Google Scholar 

  • Mander, Raymond and Joe Mitchenson (1965) British Music Hall: A Story in Pictures. London House and Maxwell.

    Google Scholar 

  • Marsden, Jean, ed (1991) The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. New York: St. Martin’s.

    Google Scholar 

  • Martin, Rod (2007) The Psychology of Humour: An Integrative Approach. Elsevier.

    Google Scholar 

  • McCabe, John (1975) The Comedy World of Stan Laurel. Robson.

    Google Scholar 

  • McCann, Graham (1999) Morecambe & Wise. Fourth Estate.

    Google Scholar 

  • McGrath, John (1981) A Good Night Out: Popular Theatre: Audience, Class, Form. Eyre Methuen.

    Google Scholar 

  • McGrath, Joseph, dir (1985) Night Train to Murder. Thames. 3 January.

    Google Scholar 

  • Medhurst, Andy (2007) A National Joke: Popular Comedy and English Cultural Identities. Routledge.

    Google Scholar 

  • Midwinter, Eric (1979) Make ‘Em Laugh: Famous Comedians and Their Worlds. Allen & Unwin.

    Google Scholar 

  • Midwinter, Eric (2006) The People’s Jesters: British Comedians in the 20th Century. Third Age Press.

    Google Scholar 

  • Moran, Joe (2013) Armchair Nation: An Intimate History of Britain in Front of the TV. Profile.

    Google Scholar 

  • Morecambe, Eric (2012a/1984) Eric Morecambe on Fishing. Harpenden: Retro Classics.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (1973) Eric & Ernie: The Autobiography of Morecambe & Wise. W.H. Allen.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (1979a) Bring Me Sunshine: A Harvest of Morecambe and Wise. Futura.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (1979b) The Morecambe and Wise Jokebook. Arthur Barker.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (1981) An Autobiography by Morecambe and Wise with help from Michael Freedland: There’s No Answer to That!!. Arthur Barker.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (2008) The Morecambe and Wise Show: The Thames Years. Network.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (2010) Morecambe & Wise: The BBC Collection. BBC.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (2016) Morecambe & Wise: Two of a Kind. Network.

    Google Scholar 

  • Morecambe, Eric, and Ernie Wise (2018) Morecambe & Wise: The Complete BBC Radio 2 Series. BBC.

    Google Scholar 

  • Morecambe, Gary (1982) Funny Man: Eric Morecambe. Methuen.

    Google Scholar 

  • Morecambe, Gary (1987) The Illustrated Morecambe. Macdonald.

    Google Scholar 

  • Morecambe, Gary (2012b) Eric Morecambe: Lost and Found. Robson Press.

    Google Scholar 

  • Morecambe, Gary (2013) Eric Morecambe: Life’s Not Hollywood, It’s Cricklewood. Ebury.

    Google Scholar 

  • Morgan, Jane (2007) ‘Morecambe and Wise Revisited.’ Analysis and Interpretation. 28 April. analysisandinterpretation.blogspot.com.

  • Morrison, Mary Kay (2008) Using Humour to Maximize Learning: The Links between Positive Emotions and Education. Lanham: Rowman & Littlefield.

    Google Scholar 

  • Murray, Martin Glyn, narrator (2011) The Unforgettable Ernie Wise. ITV. 26 December.

    Google Scholar 

  • Napier, Valantyne (1996) Glossary of Terms Used in Variety, Vaudeville, Revue, & Pantomime, 1880–1960. Nicholas Chatsworth.

    Google Scholar 

  • Nash, Carlos (2014) ‘Representation of Homosexuality,’ in Salvatore Attardo, ed, Encyclopedia of Humour Studies. Thousand Oaks: Sage, 342–345.

    Google Scholar 

  • Nathan, David (1971) The Laughtermakers: A Quest for Comedy. Peter Owen.

    Google Scholar 

  • Office for National Statistics (2015) ‘UK Population Estimates 1851 to 2014.’ ons.gov.uk.

  • Owen, Cliff, dir (1966) That Riviera Touch. Rank. 24 March.

    Google Scholar 

  • Owen, Cliff, dir, dir (1967) The Magnificent Two. Rank. 5 July.

    Google Scholar 

  • Pankratz, Annette (2016) ‘Spin, Swearing and Slapstick: The Thick of It,’ in Jürgen Kamm and Birgit Neumann, eds, British TV Comedies: Cultural Concepts, Contexts, and Controversies. Palgrave Macmillan, 281–294.

    Google Scholar 

  • Parkinson, Michael (2010) Parky’s People. Hodder & Stoughton.

    Google Scholar 

  • Parris, Matthew, present (2006) ‘Morecambe and Wise.’ Great Lives. BBC Radio. 4 April.

    Google Scholar 

  • Paul, Kathleen (1997) Whitewashing Britain: Race and Citizenship in the Postwar Era. Ithaca: Cornell UP.

    Book  Google Scholar 

  • Pearson, Roberta and William Uricchio (2006) ‘Television Studies: Brushing Up Shakespeare, Relevance and Televisual Form,’ in Diana Henderson, ed, A Concise Companion to Shakespeare on Screen. Blackwell, 197–215.

    Google Scholar 

  • Pemberton, Hugh (2000) ‘A Taxing Task: Combatting Britain’s Relative Decline in the 1960s.’ Twentieth Century British History, 12.3, 354–375.

    Article  Google Scholar 

  • Phillips, Scott M. (2002) ‘Rational Entertainment, Music Hall and the Nineteenth-Century British Periodical Press.’ Theatre History Studies, 195–209.

    Google Scholar 

  • Popescu, Carmen (2011) ‘Understanding Ethnic Humour in Romanian Jokes,’ in Marta Dynel, ed, The Pragmatics of Humour Across Discourse Domains. Amsterdam: John Benjamins, 173–190.

    Chapter  Google Scholar 

  • Porter, Bernard (2004) The Absent-minded Imperialists: Empire, Society, and Culture in Britain. Oxford UP.

    Google Scholar 

  • Porter, Laraine (1998) ‘Tarts, Tampons, and Tyrants,’ in Stephen Wagg, ed, Because I Tell a Joke or Two: Comedy, Politics, and Social Difference. Routledge, 65–93.

    Google Scholar 

  • Powles, Lorry, dir (2018) Cunk on Britain. BBC.

    Google Scholar 

  • Price, John and Joe Nicholas (2003) AS Media Studies. Cheltenham: Nelson Thomas.

    Google Scholar 

  • Priestley, J.B. (1975/1985) ‘‘Particular Pleasures’ in Performance.’ New Theatre Quarterly 1.1, 19–23.

    Google Scholar 

  • Purcell, Stephen (2009) Popular Shakespeare: Simulation and Subversion on the Modern Stage. Palgrave Macmillan.

    Google Scholar 

  • Ricoeur, Paul (1976) Interpretation Theory: Discourse and the Surplus of Meaning. Fort Worth: Texas Christian UP.

    Google Scholar 

  • Roberts, Andrew (2018) The Double Act: A History of British Comedy Duos. Stroud: History Press.

    Google Scholar 

  • Routledge, Clay (2016) Nostalgia: A Psychological Resource. Routledge.

    Google Scholar 

  • Rozik, Eli (2011) Comedy: A Critical Introduction. Brighton: Sussex Academic.

    Google Scholar 

  • Russell, Dave (1996) ‘Varieties of Life: The Making of the Edwardian Music Hall,’ in Michael Booth and Joel Kaplan, eds, The Edwardian Theatre: Essays on Performance and the Stage. Cambridge UP.

    Google Scholar 

  • Rutherford, Lois (1986) ‘‘Harmless Nonsense’: The Comic Sketch and the Development of Music Hall Entertainment,’ in J.S. Bratton, ed, Music Hall: Performance and Style. Milton Keynes: Open UP.

    Google Scholar 

  • Sandbrook, Dominic (2010) State of Emergency, The Way We Were: Britain, 1970–1974. Penguin.

    Google Scholar 

  • Sandbrook, Dominic (2016) The Great British Dream Factory: The Strange History of Our National Imagination. Penguin.

    Google Scholar 

  • Saville, Lyndy, dir (2018) Comedy Legends: Morecambe & Wise. Sky Arts. 28 November.

    Google Scholar 

  • Schaffer, Gavin (2014) The Vision of a Nation: Making Multiculturalism on British Television. Palgrave Macmillan.

    Google Scholar 

  • Seaton, Jean (2017) Pinkoes and Traitors: The BBC and the Nation, 1974–1987. Profile.

    Google Scholar 

  • Sedikides, Constantine, Tim Wildshut et al. (2015) ‘To Nostalgize: Mixing Memory with Affect and Desire,’ in James Olson and Mark Zanna, eds, Advances in Experimental Social Psychology, 51. Amsterdam: Elsevier, 189–274.

    Google Scholar 

  • Sellers, Robert and James Hogg (2011) Little Ern. The Authorized Biography of Ernie Wise. Sidgwick & Jackson.

    Google Scholar 

  • Senelick, Laurence (1993) ‘Moonlighting in the Music Hall: The Double Life of Charles Rice.’ Theatre Survey, 34.2, 29–42.

    Article  Google Scholar 

  • Shaw, Karen (2014) ‘Cryer with Laughter.’ NorthernLife. 12 March.

    Google Scholar 

  • Smedley, Ronald, prod (1973) ‘Morecambe and Wise: Fools Rush In.’ Omnibus. BBC TV, 18 February.

    Google Scholar 

  • Smith, Emma (2000) ‘‘Either for Tragedy, Comedy’: Attitudes to Hamlet in Kenneth Branagh’s In the Bleak Midwinter and Hamlet,’ in Mark Burnett and Roman Wray, eds, Shakespeare, Film, Fin de Siècle. Palgrave Macmillan, 137–146.

    Google Scholar 

  • Soderbergh, Steven, dir (2007) Ocean’s Thirteen. Burbank: Warner Brothers. 24 May.

    Google Scholar 

  • Spencer, John, dir (2019) Trust Morecambe & Wise. UK Gold TV. 8–29 November.

    Google Scholar 

  • St. Pierre, Roger (1964) ‘Sleeve Essay.’ Mr. Morecambe Meets Mr. Wise. Music for Pleasure. MFP 1190.

    Google Scholar 

  • Taylor, David (1981) ‘Doubled Up: David Taylor Talks to Morecambe & Wise.’ Punch. 9 September, 416.

    Google Scholar 

  • Taylor, Katie, prod (2008) Morecambe & Wise: In Their Own Words. BBC. 1 January.

    Google Scholar 

  • Thorman, Zoë, dir (2011) Eric and Ernie: Behind the Scenes. Manchester: BBC. 1 January.

    Google Scholar 

  • Tipthorp, Peter, ed (1965) ‘Keep a Straight Face … It’s The Intelligence Men.’ Showtime, 2.5. May.

    Google Scholar 

  • Took, Barry (1981) Laughter in the Air: An Informal History of British Radio Comedy. Robson Books.

    Google Scholar 

  • Turner, Alwyn (2008) Crisis? What Crisis? Britain in the 1970s. Aurum.

    Google Scholar 

  • Tynan, Kenneth (1975) ‘The Maturing of Eric Morecambe.’ The Sound of Two Hands Clapping. New York: Holt, Rinehart, 70–79.

    Google Scholar 

  • Unilever Art, Archives & Records Management (1976) ‘Morecambe and Wise Knorr Video.’ BFU, 2012–2052. morecambeandwise.com.

  • Van Coillie, Hermina and Iven Van Mechelen (2006) ‘Expected Consequences of Anger-Related Behaviors.’ European Journal of Personality, 20, 137–154.

    Article  Google Scholar 

  • Verona, Edelyn and Elizabeth Sullivan (2008) ‘Emotional Catharsis and Aggression Revisited: Heart Rate Reduction Following Aggressive Responding.’ Emotion, 8.3, 331–340.

    Article  Google Scholar 

  • Wasko, Janet (2001) Understanding Disney: The Manufacture of Fantasy. Cambridge: Polity.

    Google Scholar 

  • Wenn, Lennox, ed (1964–1965) ‘Morecambe and Wise.’ Buster. 24 October–20 February.

    Google Scholar 

  • Wilkie, Ian (2013) ‘Vaudeville Comedy and Art.’ Comedy Studies, 4.2, 215–229.

    Article  Google Scholar 

  • Willerslev, Rane (2007) “To Have the World at a Distance’: Reconsidering the Significance of Vision for Social Anthropology,’ in Cristina Grasseni, ed, Skilled Visions: Between Apprenticeship and Standards. New York: Berghahn, 23–46.

    Google Scholar 

  • Wills, Clair (2017) Lovers and Strangers: An Immigrant History of Post-War Britain. Penguin.

    Google Scholar 

  • Wilmut, Roger (1989) Kindly Leave the Stage!: The Story of Variety, 1919–1960. Methuen.

    Google Scholar 

  • Wise, Ernie (1990) Still on My Way to Hollywood. Duckworth.

    Google Scholar 

  • Wood, Helen (2015) ‘Active Audience and Uses and Gratifications,’ in Manueal Alvardo, Milly Buonanno, Herman Gray, and Toby Miller, eds, The Sage Handbook of Television Studies. Sage, 366–376.

    Google Scholar 

  • Wright, Caroline, prod (2013–2014) Morecambe and Wise in Pieces. BBC.

    Google Scholar 

  • Wright, Edgar, dir (1998) Alexei Sayle’s Merry Go Round. BBC.

    Google Scholar 

  • Wrothen, W.B. (1997) Shakespeare and the Authority of Performance. Cambridge: Cambridge, UP.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Stephen Hamrick .

Rights and permissions

Reprints and permissions

Copyright information

© 2020 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Hamrick, S. (2020). Shakespeare Doesn’t Mind. In: Shakespeare and Sexuality in the Comedy of Morecambe & Wise. Palgrave Studies in Comedy. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-33958-6_1

Download citation

Publish with us

Policies and ethics